I have a friend who has a problem. He uses two different amps on stage, one a Marshall and the other a Hughes & Kettner, with a 2x12 and 4x12 cab, respectively. Is there any way he can just use one cab for both amps?
I’m using the MeldaProduction Mixing Bundle plug-ins and I noticed that certain instrument patches sound very appealing and wide, but when I check them on Melda’s MStereoScope they appear fairly heavily out of phase. Should I worry about this?
I have some of my condenser mics running into more than one preamp, via a passive mic splitter, with only one of the preamps applying phantom power. Is this the way it should be?
I’ve seen some advice on building quadratic diffusors based on an old BBC paper. What I’m not clear on is when it’s a better option to use such a diffusor than to use absorption.
I like to use a lot of analogue modelling plug-ins when I’m mixing, but while I like the sounds I’m getting in general, I always seem to end up with too much noise. What’s the best way to tackle this problem?
I’m the sound engineer with a group called Flyte, who are heading out on a mini headline tour of 150-500 capacity venues next month. I have the chance to acquire a little digital mixer such as a Behringer X32 rack, but I’m not sure if it would be worthwhile.