Matt Berry
Perhaps best known for his television work, Matt Berry’s true love has always been music and the analogue instruments he uses to make it.
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Perhaps best known for his television work, Matt Berry’s true love has always been music and the analogue instruments he uses to make it.
In our new monthly feature, we track down the new producers who are making waves and find out what makes them tick.
There’s an element of art in the design of passive speakers that’s somehow diluted, lost even, once you put the crossover upstream of multiple power amplifiers...
For anyone who supplies or works in live sound, or the wider events industry, it’s been a disaster...
Dean James Barratt is a sought-after Mix Engineer based out of The Dairy Studios in London. Dean talks to Sam Inglis about his personal road to becoming a freelance Mix Engineer, what defines that role, tips on making it, and what keeps clients coming back for more.
A lot can happen in 35 years. Start the clock in 1914 and it’s a period that encompasses both World Wars, the Russian...
The EBow is a small plastic‑cased gadget, powered by a 9V battery, and when it’s hovered over a guitar string, it causes it to vibrate...
We speak to Disclosure’s tech guru Guy Lawrence about their journey from bedroom production to working with top‑flight stars in some of the biggest studios in the world.
Recorded in 1970, Tea For The Tillerman cemented Cat Stevens’ place in rock history. Half a century later and under his latter‑day name Yusuf Islam, he’s teamed up with original producer Paul Samwell‑Smith to re‑record it from scratch.
Don Lewis toured with the Beach Boys, as well as played studio sessions for Quincy Jones and Michael Jackson. He's now the focus of a documentary film by Ned Augustenborg.
There are many ways to record an album — and former Pulp frontman Jarvis Cocker has tried them all...
Romance isn't a concept often associated with music technology, but it definitely has a role to play. Only a ...
When a studio also has helpful staff, talented engineers and clued-up assistants, the whole experience is a joy.
Over four decades, Vince Clarke has helped shape the sound of electronic music. We talk to him about how his working practices have changed, from early Depeche Mode to the new album from Erasure.
Mark Mynett, Senior Lecturer in Music Technology and Production at Huddersfield University, talks about selecting the right course and the vital importance of real-world experience and networking in order to develop a successful music industry career.
Nainita Desai chats about her distinguished career, from her beginnings as a foley artist right through to becoming a busy and successful award-winning composer.
Ross Orton talks to Nigel Humberstone about his transition from playing drums with Jarvis Cocker into the world of production, remixing and songwriting. His steel city stories include working with Arctic Monkeys & Working Men’s Club.
We talk to prolific producer Kaitlyn Aurelia Smith about her ambient compositions and love of Buchla synths.
Why is Sound On Sound publishing a major article about choosing an audio interface? Many reasons...
The rules of heavy metal are well established, but for their latest album, Pigsx7 guitarist and producer Sam Grant added a few of his own.