Customising Multi Instruments
Paul White looks at how to customise Multi Instruments for a faster and more creative sequencing experience.
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Paul White looks at how to customise Multi Instruments for a faster and more creative sequencing experience.
This month's Cubase tips column focuses on one of the sequencer's most powerful but under-used features, the Logical Edit function. Paul Sellars begins a two-part explanation of its operation.
In the first of our new regular software columns based on the leading sequencer packages, Paul White gets Logic Notes off to a flying start with some invaluable hints and tips.
The music production software we now use has become so sophisticated that valuable features and techniques can often go unused simply through unfamiliarity. With this in mind, SOS has added new regular monthly columns dedicated to making the most of the leading programs. In this inaugural Cubase Notes, Martin Walker explains the use of the Scale Correction feature.
Computer-based MIDI + Audio sequencers have been popular for several years now, but some people have never been entirely happy using a digital rodent to control their main recording hardware. John Walden looks for ways out of the mouse trap by using key commands in Emagic's Logic.
Martin Walker looks at hardware and software solutions available for those who just want to use their PC for MIDI sequencing.
Although MIDI + Audio sequencing packages on both Mac and PC are becoming ever more powerful, 'the timing was tighter on my Atari' is still a common complaint. Paul White looks at ways of tightening it up, with additional PC information by Martin Walker.