Lexicon LXP Native Reverb
Lexicons flagship PCM Native Reverb bundle is highly desirable, but also costly. The cut-down LXP Native Reverb offers a more affordable, yet still powerful, alternative.
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Lexicons flagship PCM Native Reverb bundle is highly desirable, but also costly. The cut-down LXP Native Reverb offers a more affordable, yet still powerful, alternative.
Until now, the biggest name in reverb came attached only to rackmount hardware. Finally, however, Lexicon have made their celebrated rooms, halls and plates available in plug-in format.
Lexicon's MX200 offered the innovative ability to integrate with a sequencer host just like an effects plug-in. The updated MX400 goes one better - it does all that, but with dual effects-processing engines too.
Lexicon update their MPX500 with more editing parameters, extra mastering processes, and more user patches.
Used correctly, reverb is of the most powerful tools of modern music production. This month, we explore the most effective treatments for some of the individual components of a mix.
Paul White looks at how real reverberant spaces affect the perception of sounds within them, and shows you how your digital reverberation unit can simulate this process.
Lexicon's new multi-effects unit offers the classy sound quality of the MPX500 at an even more affordable price point.
Lexicon's new mid-priced unit strikes a balance between the ease of use of their budget gear and the flexibility and sonic class of their high-end products. Paul White gets an exclusive first look...
Is it a bird? Is it a plane? No, it's a new guitar-oriented effects unit from Lexicon. But will it inspire our mild-mannered reported John Walden to turn his Clark Kent chords into guitar (super)heroics?
As Lexicon introduce new processors to replace the acclaimed PCM80 and PCM90, Paul White takes a look at how these classic units have been further improved to create the PCM81 and 91.
If you've £250 to spare and a reverb-shaped hole in your studio, Lexicon would like you to fill it with their latest budget processor, which offers 20-bit converters, a digital output as standard, and the famous Lexicon Ambience effect.
Chorus, phasing and flanging are very common processes, but they don't always achieve the effect you hoped for. Paul White offers a few tips.
Paul White looks at how MIDI can be used to turn static effects into dynamic ones.
Paul White explores the far reaches of space with the first of a new generation of effects processors from Lexicon.
If you aspire to pro Lexicon effects such as the PCM80, but don't have deep enough pockets, the MPX1 could be just up your street. Paul White gets a sneak preview.
Descending Mosses-like from the mount, Lexicon's new dedicated reverb processor brings intelligence from the company's top-end reverbs. Paul White gets a debriefing...
Paul White looks at the latest incarnation of the LXP15 and finds that it neatly bridges the gap between Lexicon's budget products and their top-of-the-range pro reverb units.
The flood of quality effects units from Lexicon continues unabated. The Reflex takes the familiar Alex format, enhances its front panel editing, adds Lexicon's new Lexi II chip for improved sound quality, and tops it all off with comprehensive MIDI control facilities. Nick Magnus gets dynamic...
Lexicon's PCM70 reveb has been widely acclaimed as a modern classic, a ubiquitous component of pro studios worldwide. Paul White tests out its successor, the PCM80, falls deeply in love with it, then has to give it back!
Lexicon's new Vortex effects processor takes the concept of video morphing and applies it to audio effects. Paul White takes it for a spin.