Alesis Nano Compressor
Paul White plugs in the smallest compressor he has ever encountered, and finds that there's nothing small about the sound.
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Paul White plugs in the smallest compressor he has ever encountered, and finds that there's nothing small about the sound.
Affordable compact and with magnetic shielding, the new Point Seven monitors are sure to cause a stir. Christopher Holder determines whether serious reference monitoring has taken another price dip.
The Alesis QS line gets a flagship, with a weighted keyboard, controller features, and an extended sound set. Helmsman Martin Russ finds out whether she's seaworthy...
This is the smallest and least costly reverb unit Alesis have ever produced. Paul White finds out whether you can mind the quality and still feel the width!
Alesis reverbs seem to get ever-more cheap and cheerful. But can low price and simplicity go hand in hand with studio-quality performance? Paul White finds out.
Paul White checks out the successor to his beloved D4 and ends up casting sidelong glances at his cheque book.
ADAT is dead, long live the ADAT XT. Paul White reports on the rebirth of a classic.
With new sounds, a new operating system and a lower price, the QS6 looks set to attract its fair share of admirers. Rob Brady tickles the ivories...
Alesis rereleased their Quadrasynth early last year to mixed reviews, and in response, an updated version has now been launched. Does it address some of the comments levelled at the previous instrument? Original Quadrasynth owner Mike Best finds out.
Paul White subjects his studio to yet more upheaval as the monitors are changed yet again, all in the cause of research.
The latest addition to the Alesis dream studio line are the Matica 500 and 900 power amplifiers. Paul White checks out the 500.
Alesis' Midiverb was a big hit with cost-conscious studio musicians when it was first launched back in the mid '80s. Now Paul White assesses whether the Midiverb 4 is still first among sequels...
Dave Crombie gets to grips with Alesis' Tardis-like synth module and finds out that the inside is a lot bigger than the outside.
The X2 console forms the centrepiece of an Alesis studio that is becoming increasingly up-market and professional. Paul White checks out the new desk and finds that, despite its apparently high cost, it really does have a lot to offer to the more demanding user.
Sample rate converters are hardly the stuff that dreams are made of, but if you're an ADAT owner, the AI-1 digital interface opens up a whole new bag of possibilities, as Paul White discovers.
Martin Russ looks at the long-awaited new keyboard from Alesis and finds that it takes an alternative approach to just about everything...
Alesis are one of the acknowledged leaders in affordable digital recording equipment, but can they compete in the crowded world of studio monitoring?