Alan Moulder: Why Mentors Matter
If there’s one thing that engineers and producers need above all, it’s a good mentor and role model — and they don’t come much better than MPG Icon Alan Moulder.
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If there’s one thing that engineers and producers need above all, it’s a good mentor and role model — and they don’t come much better than MPG Icon Alan Moulder.
One of the good things about analogue gear, supposedly, is that it doesn’t suffer from built‑in obsolescence. But for how long?
GG has worked with some of pop’s most formidable acts, from Little Mix to Madonna.
After 85 years of active service, the humble VU meter remains as useful as ever in today’s digital studios — despite BBC engineers nicknaming it ‘virtually useless’!
With its unique leftfield tones and engaging, unusual playing mechanics, it’s not hard to see why the Omnichord has become sought after by sonic experimentalists.
The drum machine has progressed massively since the days of the home organ player. Here Oli Freke takes us through a brief history, with lots of audio examples.
Alan Moulder, 2024 recipient of the Icon Of The Year Award from the Music Producers Guild, talks to Kevin Paul about his early years at Trident Studios and finding his specialist areas.
We conclude our four-part series with a look at how specifications can accommodate the foibles of human hearing.
Whether you’re playing music or just stroking your chin about it, do yourself a favour and check out the Nashville Number System. If you’re anything like the author, you’ll wonder what took you so long!
I’m wondering if it makes sense to flip my patchbays upside down in my rack, to put my mixer inputs on the top row and signal outputs on the bottom?
Now I don’t know about you, but I long ago gave up the idea that functionality was the most important aspect of guitar design, but does the same really hold true for studio equipment?
How do I make my ears more sensitive to inconsistencies in the vocal frequency spectrum?
Japanese artist and producer Taigen Kawabe is best known as the frontman and bass guitarist of boundary‑destroying psych‑rock band Bo Ningen, whose repertoire ranges from experimental soundscapes to guitar‑driven chaos and screaming.
As a tribute to Ryuichi Sakamoto on the first anniversary of his passing, Caro C talks to Richard Barbieri, Natalie Beridze and Carsten Nicolai (aka Alva Noto).
Producer and Engineer Tim Bran talks us through his early career at Island Records, being invited to tour as a session musician, recording London Grammar and setting up his own collaborative tech and studio projects.
Having teenage children is a great way to stay in touch with the next generation. So imagine my surprise when my eldest’s number one request for Christmas 2023 was... a CD player!
Most audio interface designs are based around technology from British innovators XMOS. What makes the xcore platform so ubiquitous, and what does it mean for musicians?
As Neuzeit Instruments, German designer Thomas Hutmann is creating marvellous, original designs for Eurorack.
I’ll soon record a sludge‑metal band and I need some advice. Any techniques for making the guitars sound sufficiently wide in the mix?
Kiwi producer and songwriter Noema Te Hau III is based at Big Fan Studios in Auckland, New Zealand.