Millennia AELogic preamp now available for Mac OS
Control software for Millennia's premium mic preamps now works on Apple computers
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Control software for Millennia's premium mic preamps now works on Apple computers
Unique Recording Software have modelled a vast array of vintage compressors and EQs and presented the results in a single plug-in.
Neve’s latest 1073 variant bridges the gap between microphone and computer.
With the release of their ‘Next Generation’ preamp, Wes Audio have made it possible to assemble a full 500‑series analogue channel strip with DAW plug‑in remote control!
Could this be the perfect partnership between vintage vibe and contemporary convenience?
This remote-controllable preamp boasts some unusual features aimed largely at the live-sound market.
This D-A converter boasts a range of useful features — as well as impressive performance.
With mic preamps, multitrack recording and mixing built in, EHX’s 95000 is much more than your average looper.
This compact unit from Apogee offers high-end preamplification and conversion, along with a clutch of useful processing, monitoring and output facilities.
This new front end from Roland combines two high-quality analogue mic preamps with digital EQ, dynamics, and physical modelling effects. Plus, you can choose to control it from its front panel or from a computer via USB.
This budget recording strip is certainly a jack of all trades, delivering a huge feature set for the price — but does it offer quality as well as quantity?
Following on from last month's sneak preview, here's the full SOS hands-on test: If you're looking for characterful compression and EQ to warm up your computer-based mixes, Focusrite's Liquid Mix might just be the answer.
Can a preamp and D‑A converter successfully straddle the pro-audio and hi‑fi markets? Drawmer believe it can...
Combining Focusrite's cutting-edge preamplification and A-D conversion with Sintefex's pioneering convolution technology, the Liquid Channel can mimic the most celebrated mic preamps and compressors ever designed. Could this be the only voice channel you'll ever need?
DSP convolving techniques now allow us to 'sample' the sound of real reverberant spaces, and even other digital reverbs. But why stop at reverb? Focusrite's Liquid Channel can be used to reproduce the effect of classic compressors and even mic preamps...
This digital processing unit promises a whole new level of realism from acoustic guitar pickups. Although primarily aimed at live performance, could it be a serious option for the studio too?