Audio Interfaces

Mackie offer a straightforward and affordable approach to audio interfacing with two new Onyx units.

Could Boss’s latest do-it-all modelling processor form the heart of your live or recording rig?

Universal Audio’s new Apollo X range sees the company pull out all the stops to best the competition — have they succeeded?

Apogee increase the range of their Symphony I/O MkII interface with a module aimed squarely at mastering.

IK’s iRig Stomp I/O bridges the gap between hardware and software, both on stage and in the studio.

MOTU’s 828 series has been a valuable studio workhorse for nearly two decades, and the latest is the best one yet.

Compact, portable, capable of overdubbing, and packed with preamps — could this be the multitracker we’ve all been waiting for?

A mixer, a USB 2 interface, and valve coloration all for less than the price of many preamps — is it too good to be true?

iZotope’s Spire Studio breathes new life into a format that will be familiar to many home studio owners.

The Arrow offers two-channel recording and Universal Audio’s celebrated plug-ins, all at the end of a Thunderbolt 3 connector.

DPA’s iOS-friendly interface and mic set is aimed squarely at broadcasters and interviewers who need the very best audio quality.

Boasting two mic preamps, USB interfacing and Lexicon effects, this keenly priced mixer holds lots of promises. Does it deliver?

Zoom reimagine the stand-alone multitracker for the DAW generation.

Focusrite’s new Clarett range drops Thunderbolt for USB and sheds a few pounds into the bargain.

Radial’s innovative Key Largo is designed to sit at the heart of your live keyboard rig.