link Audient ASP4816-HE Analogue Mixing Console The ASP4816 offered big‑console features in a project‑studio footprint, but its new souped‑up sibling offers that bit more... Published December 2022 Reviews
link Zoom F3 32-bit Field Recorder & Audio Interface Don’t be deceived by the F3’s diminutive form — there’s a seriously useful recording device lurking in this box! Published November 2022 Reviews
link Wes Audio Rhea Stereo Vari-mu Compressor This powerful 500‑series processor combines Wes Audio’s cutting‑edge digital control technology with the timeless sound of valve compression. Published November 2022 Reviews
link Multi-stage Compression Tips & Techniques When and why might you want to reach for more than one compressor to process the same signal? Published October 2022 Techniques
link Pulsar Massive Analogue Modelling EQ Plug-in Pulsar train their modelling sights on Manley’s mighty Massive Passive. Published October 2022 Reviews
link How To Achieve Better Separation In Your Mixes Tips, Tricks & Techniques If you’re struggling to get everything in your mixes coming across loud and clear, read on. Published September 2022 Techniques
link Golden Age Premier Pre-73 Jr & EQ-73 Microphone Preamplifier & Equaliser Golden Age’s new Premier series of Neve‑inspired devices get even closer to the real thing. Published September 2022 Reviews
link Techivation T-Exciter Harmonic Enhancement Plug-in Techivation have quietly been building an impressive range of plug‑ins which tend to tackle everyday mixing techniques... Published September 2022 Reviews
link Rode RodeCaster Pro II Audio Production Studio The original podcast production station has grown up — and it’s not just for podcasters! Published August 2022 Reviews
link Q. Should I compress at the recording stage? I’m seeing a lot of conflicting advice about using compression while recording. Some swear by it while others say it’s completely unnecessary with 24‑bit recording and modern converters. Where do you stand on this? Published July 2022 Sound Advice