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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Lewitt RAY

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    Lewitt LCT 1040

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    Lewitt’s new flagship hybrid microphone could be the last vocal mic you ever need...

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    If you're looking for mics that'll handle almost any recording task without breaking the bank, Lewitt's newest offerings could be just the thing.

    Reviews Sep 2019
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    Lewitt LCT 441 Flex

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    Lewitt’s new mid-priced mic is a classy and versatile affair that acquits itself well on a wide range of sources.

    Reviews Sep 2018
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    Lewitt LCT 540 Subzero

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    Lewitt’s latest mic is so quiet that its noise floor is below the level of human hearing! But what about the sound you can hear?

    Reviews Mar 2018
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    Lewitt LCT 640 TS

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    By giving you independent access to its front and rear diaphragms, this intriguing mic lets you change polar patterns after recording!

    Reviews Jul 2017
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    Lewitt LCT 440 Pure

    Cardioid Capacitor Microphone

    Lewitt’s new vocal and instrument microphone retains the essence of their established models, but at a much more attractive price.

    Reviews Jun 2017
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    Lewitt LCT 550

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    Austrian manufacturers Lewitt continue to plough their own furrow, with the latest in their innovative studio microphone range.

    Reviews Sep 2014
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    Lewitt LCT940

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    With the ability to blend between valve and solid-state circuitry, Lewitt’s LCT940 is a genuinely innovative and versatile microphone.

    Reviews May 2013
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    Lewitt Audio LCT640

    Multi-pattern Capacitor Microphone

    This innovative large-diaphragm mic offers more pad, pattern and filter options than you can shake a stick at — but how does it sound?

    Reviews Aug 2012
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