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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Microtech Gefell M102 microphone.

    Microtech Gefell M102

    Large-diaphragm Omnidirectional Microphone

    Measurement mics are necessarily neutral and accurate, and that's often just what you want when recording music too. Gefell's newest offering, based around a measurement capsule, has those characteristics in abundance.

    Reviews Oct 2019
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    Microtech Gefell M320

    Omnidirectional Microphone

    Twelve years since the original M300 was launched, illustrious mic makers Gefell have released an omni version — and it doesn’t disappoint!

    Reviews Jul 2018
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    Microtech Gefell MD120

    Omnidirectional Dynamic Microphone

    Most handheld mics are of the cardioid variety, but as this model proves, a moving-coil design needn’t be directional to be good.

    Reviews Nov 2015
  • link

    Microtech Gefell MD100 & MD110

    Dynamic Microphones

    Gefell have long been respected in the studio, and now they’re hoping to tackle the live-sound market, too.

    Reviews Mar 2015
  • link

    Microtech Gefell M221

    Omnidirectional Capacitor Microphone

    Not only is this a remarkably high-quality microphone, but a very versatile one too, thanks to some cunning acoustic trickery...

    Reviews Jun 2013
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    Microtech Gefell CMV563 M7S

    Valve Capacitor Microphone

    Gefell’s reissue of a historic Neumann mic, made in the same factory as the original, exudes class — and has a price to match...

    Reviews Apr 2013
  • link

    Microtech Gefell M900

    Capacitor Microphone

    Microtech Gefell mics have long been revered for their sonic performance in the studio — so why not use them on stage too?

    Reviews Nov 2012
  • link

    Microtech Gefell M930Ts

    Large-diaphragm Capacitor Microphone

    Almost a decade of experience has only reinforced my appreciation of this unassuming little mic.

    Reviews Nov 2012
  • link

    Microtech Gefell M1030

    Condenser Microphone

    The M930’s bigger brother is a large‑diaphragm condenser that displays all the Gefell family traits, but with added visual appeal.

    Reviews Aug 2011
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    Microtech Gefell M1030 | Audio

    Audio Examples

    Audio files to accompany the article.

    Reviews Aug 2011
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    Microtech Gefell UM930

    Multi-pattern Capacitor Microphone

    At nearly twice the price of a Neumann U87, you've every right to expect this to be a very, very nice microphone...

    Reviews Jun 2008
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    Microtech Gefell M300

    Condenser Microphone

    This new high-resolution small-diaphragm condenser mic offers high SPL handling and a warm tone.

    Reviews Apr 2006
  • link

    Microtech Gefell M930

    Condenser Microphone

    This surprisingly compact large-diaphragm condenser mic shakes up the established competition.

    Reviews Jan 2004
  • link
    Microtech Gefell UM900 valve condenser microphone.

    Microtech Gefell UM900

    Valve Condenser Microphone

    The East German company Microtech Gefell only became known in the West after the fall of the Berlin Wall, but it was founded by no less a man than Georg Neumann in 1943. Hugh Robjohns tests a new mic with an impressive pedigree...

    Reviews Jan 1999
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    Microtech Gefell UMT800

    Large-diaphragm Capacitor Microphone

    Microtech Gefell's first multi-pattern mic is graced with the kind of looks which could assure it classic status — as long as its sound lives up to its stunning appearance. Paul White lends an ear.

    Reviews Oct 1997
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    Microtech Gefell UMT70S

    Capacitor Microphone

    Microtech's original UM70 set the affordable capacitor mic ball rolling, but now there's a transformerless version featuring a new housing. Paul White took it for a test drive.

    Reviews May 1995
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