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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

Displaying 1 - 12 of 12 items
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    Crown CM700

    Back-electret Cardioid Microphone

    Paul White reviews an Uncharacteristically compact mic and discovers that size isn't everything.

    Reviews Dec 1996
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    Audio Technica AT4033a

    Studio Condenser Microphone

    A well respected studio favourite for several years, Audio Technica's cardioid AT4033 has now been slightly updated. Paul White reassures himself that the warm 4033 sound remains unchanged...

    Reviews Nov 1996
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    Earthworks OM1

    Omnidirectional Microphone

    Paul White tries out an intriguingly-styled US-built mic and discovers that tonal honesty can occasionally be a very good studio policy.

    Reviews Nov 1996
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    Rode Classic

    Valve Microphone

    This imposing valve mic from Australian newcomers Rode looks and sounds expensive, but costs a lot less than comparable models from more familiar manufacturers. Jolly swagman Paul 'Bruce' White looks down under, on top, and inside.

    Reviews Oct 1996
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    Audix OM-3XB

    Dynamic Microphone

    Building on their US reputation, Audix mics are now available in the UK. Paul White takes a listen.

    Reviews Sep 1996
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    Electrovoice RE1000, RE2000 & RE200

    Capacitor Microphones

    Best known in the microphone world for their high-quality dynamic mics, Electrovoice are now hoping to raise their profile as a manufacturer of capacitor models with the release of three additions to their RE range. Paul White listens in.

    Reviews Aug 1996
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    Shure Beta Series

    Dynamic & Back-electret Microphones

    Shure have recently updated and augmented their 7-year old Beta microphone range. Paul White assesses the newcomers alongside the rest of the range.

    Reviews Jul 1996
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    Audio Technica Six-pack

    Studio Microphone Assortment

    Just as spinal Tap have amplifiers that go up to 11, Audio Technica have six-packs that go up to seven — as Paul White discovers after counting them twice!

    Reviews Jun 1996
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    Soundfield SPS422

    Microphone

    Paul White tests a mic that's outstanding in its field — without going out and standing in a field.

    Reviews Apr 1996
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    Sennheiser MD504, MD421, K6P/ME64

    Drum Microphones Kit

    When the going gets tough, should the tough get Sennheiser's drum kit microphone set?

    Reviews Mar 1996
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    Audio Technica AT4050

    Studio Capacitor Microphone

    How does Audio Technica's AT4050 multi-pattern studio mic compare with their hugely popular AT4033 cardioid mic?

    Reviews Feb 1996
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    Audio Technica ATM33a & ATM10a

    Artiste Series Back-Electret Mics

    Can these two low-cost back-electret mics really deliver studio-quality performance? Paul White finds out.

    Reviews Jan 1996
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