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Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Maroon Audio MT100 & MC200

    Large-diaphragm Condenser Microphones

    We put this good-looking brace of mics from new UK company Maroon Audio to the test.

    Reviews Dec 2009
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    MXL R77

    Ribbon Microphone

    Is this mics sonic performance as brilliant as its polished gold and chrome exterior?

    Reviews Nov 2009
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    B-Band Ukko Pack

    Contact Mics For Drums

    The ability to mount mics on drum shells is nothing new, but actually being able to build them into the shells, as you can with the Finnish Ukko system, is not so common. Could this alternative method put an end to multi-miking of drum kits?

    Reviews Nov 2009
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    Violet Design Wedge

    Cardioid Condenser Microphone

    Does the sound of this distinctive-looking mic live up to its striking exterior? Read on to find out...

    Reviews Oct 2009
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    Chameleon Labs TS1

    Small-diaphragm Valve Microphone

    Small mics and tubes arent always the best of friends, but this little newcomer proves that they can be.

    Reviews Sep 2009
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    Lauten Horizon

    Valve Microphone

    This valve mic offers bags of character, and a quality of result comparable with mics that cost much more.

    Reviews Sep 2009
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    SE Electronics SE2200T

    Valve Condenser Microphone

    SE tweak their successful design to create whats probably the most affordable serious tube mic around.

    Reviews Aug 2009
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    Telefunken ELA M260

    Small-diaphragm Valve Condenser Microphone

    Despite sharing a name with a historic Telefunken mic, this is a new design. But it still delivers classy, vintage-sounding results.

    Reviews Aug 2009
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    Audix CX212

    Multi-pattern Condenser Microphone

    Audixs acclaimed range of microphones is designed and built entirely at home in the USA — and its an approach that seems to be paying off...

    Reviews Jul 2009
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    Prodipe A1

    Small-diaphragm Condenser Microphone

    When youre on a budget, youll need one mic to perform a range of duties — and this one seems to punch above its weight.

    Reviews Jul 2009
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    Heil Sound PR40

    Cardioid Dynamic Microphone

    Listening to the sound from this extraordinary dynamic mic, you might be forgiven for thinking it was a ribbon or a condenser.

    Reviews Jun 2009
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    AEA A440

    Active Ribbon Microphone

    Some microphones ooze quality to the extent that price almost becomes unimportant. Is AEAs new active version of the venerable RCA 44 design one of them?

    Reviews Jun 2009
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    Mercenary Audio KM69

    Small-diaphragm Condenser Microphone

    Unashamedly inspired by the Neumann KM84i, Mercenary Audio have tweaked their KM69 to suit their own tastes. Does it deliver the goods?

    Reviews May 2009
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    SE Electronics RNR1

    Active Ribbon Microphone

    If you put together a classical musician turned mic manufacturer, and analogue audio legend Mr Rupert Neve, youd expect the outcome to be something rather special — and it is.

    Reviews May 2009
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    Audio-Technica AT2035 & 2050

    Condenser Microphones

    Industry stalwarts Audio-Technica introduce two new microphones that offer a similar character to their popular AT2020, but with better performance and additional features.

    Reviews Apr 2009
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    SE Electronics SE4400a

    Multi-pattern Condenser Microphone

    Small size and a choice of polar patterns make this mid-priced, large-diaphragm mic a very versatile performer.

    Reviews Apr 2009
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    sE Electronics SE4

    Small-diaphragm Condenser Microphone

    The SE3 was a popular mic, but it only came in cardioid flavour. The new SE4 gives you more options...

    Reviews Mar 2009
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    AKG Perception

    Condenser Microphones

    Can condenser mics at this price really be worthy of a name like AKG? Actually, it seems they can...

    Reviews Feb 2009
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    Earthworks PM40

    Piano Microphone System

    If recording piano is your forté, this system could make your life a whole lot easier...

    Reviews Jan 2009
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