Mixing / Production

To find himself as an artist, Charlie Puth swapped high‑profile co‑writers for fan reaction on TikTok. It seems to have worked...

Gilla Band’s new album is one of the least normal things you’ll hear this year...

London‑based record producer, programmer and session musician Andy Wright chooses the drum sound from ‘Dirty Mind’, on Jeff Beck’s 2000 album You Had It Coming.

Want a hit that transcends genres? Hire a mix engineer who does the same — as Steve Lacy did with Neal Pogue.

The ultimate one‑man band, Brazilian artist Ricardo Bacelar uses layers of drums, percussion, guitars and keyboards to build up dense immersive mixes.

Mark Mynett, sound engineer and senior lecturer at Huddersfield University, gives us an in-depth look at how to process and mix the various elements of a song recorded using live instruments.

Ricky Reed has worked with a multitude of artists across a huge range of genres, most recently delivering a string of huge hits for Lizzo.

Immersive audio is a massive opportunity — if you’re equipped to take it. Here’s what you’ll need to do to make your studio Atmos‑ready.

Multi‑platinum mixer and engineer Richard Chycki details how he got Geddy Lee’s bass sound on ‘Caravan’.

Timofey Reznikov made a name for himself recreating tracks by famous producers. Now, he mixes their tracks!

Immersive audio is helping Jean‑Michel Jarre implement a distinctly French musical vision, inspired by his own mentors.

Resident in Mexico City, engineer Juan Sebastián Rodriguez thanks British producer Phil Vinall for his baptism into the recording industry.

For Jason ‘Cheese’ Goldberg, working with YoungBoy means working anywhere and working fast — without compromising quality.

Beyoncé’s chart‑topping album Renaissance showcases a production process that’s all about staying in the moment.

Grammy Award-winning engineer Bob Clearmountain details his unique approach to mixing music in Dolby Atmos using an analogue desk.

The ear‑catching tempo changes of LF System’s hit ‘Afraid To Feel’ provided a unique challenge for mix engineer Scott Rosser.

Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!

If you’re struggling to get everything in your mixes coming across loud and clear, read on.

Mark Mynett, talks us through prepping for and recording a bass session, including ways to generate multiple layered tracks for use in your final mix.

Nearly two years after its release, Cat Burns’ single ‘Go’ gave Aaron Ahmad his first major mixing hit.

New York‑based producer Randall Dunn answers the SOS quickfire questions.