Mixing / Production

BT revitalised the sound of boy band N'Sync, composed some of the most radical soundtracks to appear in mainstream films, and has a good claim to have invented trance. And he still finds time to talk to SOS...

The 'producers' producer', the 'guitarists' guitarist': Jay Graydon is back, with a new album and a renewed hunger for success. Always the consummate studio craftsman, when he talks technique, it's worth listening...

In recent years, Dublin has become one of Europe's hottest centres for pop production, and Biffco Productions are one of the top hitmaking teams who've made their home there.

You don't need to have Top 40 hits to make a living from your music. Just ask Kent Brainerd, who has made a tidy sum by composing music for company training and presentation videos. Find out how...

Baz Luhrmann's ambitious film Moulin Rouge integrates radically reworked pop classics into a historical romance. As well as co-ordinating this unique musical project, programmer and producer Marius de Vries somehow found time to work on Bjork's acclaimed new album Vespertine.

Stephen Harris is the man behind some huge recent hits by U2, Santana and the Dave Matthews Band. Sam Inglis finds out how he made it big.

Richard Buskin meets a successful American composer who's specialised in a unique kind of music for television...

Gorillaz have made waves as the first 'virtual band' to achieve real chart success. Behind the animated characters, however, lurk real engineers and musicians... Sam Inglis tracks them down to find out how they recorded their debut hit.

For a man who likes to work quickly in the studio, David Axelrod's new album has taken an awfully long time to make — 33 years, to be precise. Meanwhile, his groundbreaking '60s and '70s productions have become a crucial resource for the biggest names in hip-hop.

Paul Farrer's name has been a fixture in SOS for several years, but these days he's best-known as the theme tune composer for top BBC TV quiz show The Weakest Link. Paul White asks the questions...

It's hard enough to reach the top in any field, be it engineering, production, programming or playing an instrument, but Michael Bradford has excelled in all of these departments - and often while travelling across America at 80 miles per hour! Richard Buskin meets a man who's helped to create massive hit albums for Kid Rock and the New Radicals.

Over the last three decades Chris Tsangarides has produced some of the biggest names in heavy rock and has perfected the art of capturing the excitement of a loud, live band on record. Tom Flint finds out about some of his trademark production and engineering techniques including his work on the latest Gary Moore album, Back To The Blues.

Best known for his collaborations with Elton John, Gus Dudgeon is one of the most successful British record producers ever. He talks to Sam Inglis about his work.

After three decades powering the rhythm section of the Rolling Stones, Bill Wyman has gone back to the music he grew up with, with help from the impressive array of talent that is his Rhythm Kings. Sam Inglis hears how their new album Double Bill was made.

Number one UK hit 'Whole Again' took Atomic Kitten from the girl-band niche to a universal audience, and made an impressive first single release for co-writers and co-producers Bill Padley and Jeremy Godfrey. Sam Inglis hears the story.

Producer and engineer John Leckie is renowned for his work with English pop legends such as John Lennon, The Stone Roses and Radiohead. Recently, however, he left behind the comforts of Abbey Road to record one of Africa's best-known singers on location in Senegal.

The world is full of manufactured pop bands, but the innovation of the TV show Popstars is to turn the manufacturing process itself into entertainment. Sam Inglis talks to the producers behind the resulting smash hit single.

The standout track from Dido's debut album No Angel is known to millions as a TV theme, and is now a smash hit single in the UK. Sam Inglis talks to Pascal Gabriel, who co-wrote 'Here With Me' with Dido and his colleague Paul Statham, and programmer James Sanger, who helped to shape the final version.

Over the last 30 years Tony Platt has engineered and produced albums by some of the biggest names in music, from rock to reggae. Tom Flint talked to him about his days at the pioneering Island Studios, his work with the legendary producer Mutt Lange and his vision of the future.

What's the connection between Madonna and Stockhousen? Sam Inglis meets a producer who puts the 'art' into chart music...

Last year's best-selling UK single came not from Westlife or All Saints, but a pre-school kids'TV series. Sam Inglis asks its composer and producer how they turned the theme into a hit.