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Monitors / Monitoring

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    Alesis Monitor Two

    3-way Studio Monitors

    Paul White subjects his studio to yet more upheaval as the monitors are changed yet again, all in the cause of research.

    Reviews Sep 1995
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    Silver 5L

    Closefield Monitors

    Paul White tests the latest Silver closefield monitoring system, which can be extended to full-range use by the addition of bass enhancement cabinets.

    Reviews Aug 1995
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    NHT 1.3A

    Nearfield Monitors

    Paul White tries out a pair of West Coast hi-fi speakers from the USA, and finds that they are much like Californian wines — a hint of presumption with no breeding, but you'll be amused by their impertinence.

    Reviews Jul 1995
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    KRK K-Rok

    Nearfield Monitors

    American company KRK have gained quite a reputation for distinctive monitor design since their inception less than 10 years ago. Paul White checks out their most affordable speakers, the nearfield K-ROKs.

    Reviews Jun 1995
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    Spirit Absolute 2

    Nearfield Monitors

    Soundcraft have added nearfield monitors to their product range in a continued bid for world domination. Paul White subjects them to the rigours of studio life.

    Reviews Mar 1995
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    Waldorf EMES Blue

    Nearfield Monitors

    Paul White rearranges his control room yet again, this time to test Waldorf's nearfield monitors plus the optional, and enigmatically named, Blue Boost.

    Reviews Aug 1994
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    Genelec 1030A

    Studio Monitors

    Genelec are better known for their medium and large-sized pro studio monitors, but as Paul White discovers, their new mini active monitor could be tailor-made for the smaller private studio.

    Reviews Jun 1994
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    Wilmslow Audio ATC SCMK 100

    Monitor Kit

    ATC have collaborated with Wilmslow Audio to produce kits based on their popular SCM 50 and 100 monitors that are easy to build, offer high performance, and are very attractively priced.

    Reviews Feb 1994
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    Alesis Monitor One

    Studio Monitors

    Alesis are one of the acknowledged leaders in affordable digital recording equipment, but can they compete in the crowded world of studio monitoring?

    Reviews Jan 1994

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