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Recording

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    Gain Structure For Soundcard Recording

    Tips & Tricks

    Paul White offers a few levels for soundcard-based music systems.

    Techniques Oct 2000
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    Recording In One Room

    Tips & Tricks

    Some of the most common problems encountered when working in a home studio arise from having to record in the same room as your recording equipment. However, good-quality recordings are still perfectly possible in such conditions. Hugh Robjohns advises on how to obtain the best results.

    Techniques Sep 2000
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    COLIN EMMANUEL: Recording Jamelia 'Money', Ft Beenie Man

    British R&B

    Although 'Money' took new British R&B star Jamelia into the top 5 at the age of 17, her apparent overnight success was built on more than a year of hard work by producer Colin Emmanuel. Sam Inglis uncovers the story behind the single.

    Techniques Jun 2000
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    Interfacing Analogue & Digital Equipment

    Tips & Tricks

    When is the professional signal level no longer standard? When you want to connect to digital equipment! Hugh Robjohns explains the mysteries of exchanging signals between analogue and digital domains.

    Techniques May 2000
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    Perceptual Coding: How MP3 Compression Works

    Exploration

    Most of us are aware that MP3 encoding offers a way of drastically reducing the size of digital audio files while preserving reasonable sound quality. But how many of us know how it works? Paul Sellars explains the theory behind MP3, and offers some tips on making your own coded files sound better.

    Techniques May 2000
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    The single's three million sales have shot Christina Aguilera to worldwide fame.

    Recording Christina Aguilera's 'Genie In A Bottle'

    David Frank: Producer/Co-writer

    Christina Aguilera's debut single was a worldwide smash hit last year, thanks in no small measure to the distinctive work of producer and co‑writer David Frank. Mike Senior finds out how he did it.

    Techniques Apr 2000
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    NICKY GRAHAM: Recording 'Once In A Lifetime'

    Interview | Producer

    Sound On Sound's September 1999 SAE/Quantegy competition offered the fantastic prize of an all-expenses-paid recording session in a New York studio with a top producer. Tom Flint talked to the lucky winners to find out how they put their winning demo together — and found out how producer Nicky Graham transformed it into a potential chart smash.

    Techniques Mar 2000
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    Stereo Editing: Part 1

    Tips & Tricks

    In the first part of a new series, Paul White looks at the practicalities of stereo editing. So, if you plan on compiling your stereo mixes into an album master, you'd better read on.

    Techniques Jan 2000
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