Sound Modules

The Archaea Exchange falls into what is possibly the author's favourite category of modules: essentially very simple but with massive scope.

The Lublin 1957 from XAOC Devices is a two‑channel pingable VCA module with three ping responses and a gain limiting circuit to prevent peaking or distortion.

The unsettlingly named Seventh Summoner is a really simple sequencer, and as with the Arp Of Darkness, it does just enough to make itself fabulously useful.

The DitDit takes text as its stimulus and spits out Morse code, which makes for ideal translation into a language of triggers and gates...

Erica’s Perkons HD‑01 is one of the most inventive drum machines of recent years, and the Perkons Voice is a single Perkons’ synth voice in Eurorack form.

Those familiar with my reviews might have sussed by now that, when describing multifunctional modules, I do my level best...

Music Thing’s Workshop System is a modular toolkit that’s designed to inspire.

The latest device to take up the challenge of ‘tape without tape’ is the Stardust, which Qu‑Bit describe as a ‘cosmic tape looper’.

Winter Plankton's DassBrum module does a lot more than mimic a bass drum.

It’s a synth called Synth!

Paul Wiffen takes a trip down memory lane to look at Behringer’s remake of the Wasp from Electronic Dream Plant, his first employer in the synthesizer industry back in 1981. How does it compare to Chris Huggett’s original innovative design?

DivSkip is a four‑channel trigger machine dressed in a dazzling festival of lights.

New from Patching Panda are a pair of 10HP percussion modules, each offering a wide range of traditional sounds, but with some serious experimental potential as well.

The Vector is a digital sequencer with eight parts assignable as quantised mono or chord tracks, or four‑lane drum tracks.

The Mutant Machine is a little like its own miniature modular system for drums...

Can a ‘General MIDI’ Eurorack module have appeal? Sebsongs think so...

The Echo Cinematic can make a weedy melody line sound huge, reanimate percussion lines and weaponise chords in fabulously groovy ways.

The strangely named Detroit Pink 87 is an eight‑track trigger sequencer where you tap in the steps using a key.

If someone asked you to design an uncompromising analogue Eurorack mixer, it would probably look like the Xcelon.

The ADDAC310 Pressure To CV is a Eurorack module that uses your breath as its control source.

The P1 is a beautifully designed, two‑channel pedal interface that’ll bridge the gap between your modular and guitar worlds.