Sounding Off: Valuing Software
Why do musicians see value in the music they write but not the software they use to write it?
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Why do musicians see value in the music they write but not the software they use to write it?
Our esteemed leader speculates on the recently completed purchase of Steinberg by Yamaha, and what this might mean for musicians.
The current extent of software piracy poses a serious threat to the economical stability of the software companies on whom we rely...
Samples, re-sampling, looping, cutting and pasting — is it all getting too easy? Is the phrase 'dance music' becoming an oxymoron?