True Systems P-Solo
Can this mic preamp really deliver 'expensive' sound quality at a mid-market price?
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Can this mic preamp really deliver 'expensive' sound quality at a mid-market price?
Chandler revive a vintage technology in their unique new preamp. We put it to the test...
Following on from last month's sneak preview, here's the full SOS hands-on test: If you're looking for characterful compression and EQ to warm up your computer-based mixes, Focusrite's Liquid Mix might just be the answer.
The Solo 110 and Solo 610 are a pair of high-quality, no-frills preamps — one solid-state, the other valve.
This Rupert Neve-designed three-band EQ and preamp is intended for Taylor acoustic guitars equipped with the Expression System magnetic pickup array.
A modern take on the vintage Neve preamp sound.
Guitar preamps that use digital modelling technology have found their way into vast numbers of studios. But do they have a useful place on stage, and what do you need to know if you want to use one live?
I've been looking up information on some external preamps, and I found that most of them have two controls — Gain and Level. Most console preamps have just a Gain control, so what is the Level control for?
Some mic preamps are renowned for their flattery of the recorded signal, but this high-spec single-channel unit proudly aspires to cleanliness and neutrality, translating the character of your performances and microphones with the utmost fidelity.
Eight channels of clean and transparent preamplification, complete with input impedance switching and flexible digital output options.