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Emu Launch Pad
Emu's Launch Pad provides a hardware control surface for the Orbit sound module, but can also be used with other MIDI gear. Paul Nagle finds out whether it's destined to become a springboard for many a successful mission.
Emu E4K
In recent years, samplers have become almost exclusively rackmount devices, widely used as production workhorses, but less so by the gigging musician. With the release of their first keyboard sampler in several years, Emu are hoping to change all that. Paul Wiffen heralds the return of the performer's sampler.
Emu Darwin
Having led the way in the '80s sampling revolution, Emu have turned their attention to the '90s discipline of hard disk recording with the Darwin digital recorder. Paul Ward checks out the new species on the block...
Emu Systems Sound Engine
Emu's Sound Engine is the first dedicated General MIDI module from the USA. Derek Johnson explores GM the American way.
Making The Most Of Your Emu Proteus: Part 2
Paul Farrer looks at ways of using Proteus 2 samples to create a convincing orchestral arrangement.
Emu Systems: Sampling, The Future & CA
Paul White trips off to California to discover the inside track on sampling, resynthesis, Darwin, and the future power generation of musical instruments from industry pioneers, Emu Systems.
Making The Most Of Your Emu Proteus: Part 1
In the first of a 2-Part series, Paul Farrer offers some hints and tips for improving the sounds you can coax from Emu's popular Proteus range.
Emu Systems E64
Hot on the heels of the ESI32 and EIV samplers comes Emu's latest mid-price unit. We sent Paul Wiffen to find out how the E64 differs from its siblings
Emu Systems Emulator IV
Once upon a time an Emulator was all eights: 8-bit, 8-voice, 8-outs, but that was a decade ago. Ten years on and the latest Emulator has more of the 128 about it: 128 voices, up to 128Mb of RAM. Paul Wiffen finds out if everything else about the EIV is 16 times as good.
Emu ESi32
News of the ESi32 has set the hearts of ambitious but fiscally challenged samplists beating faster. Mike Barnes brings you this exclusive review of the machine which packs EIII sampling power into a box costing under £1200, and wonders 'Is it too good to be true?"
Emu Classic Keys
Emu's Vintage Keys module offered a tempting selection of sounds sampled from the cream of desirable analogue synths. Now the same concept has been remodelled, with a lower price tag to appeal to a larger range of musicians. Gordon Reid assesses the Classic Keys.
Emu ESi32
Emu took up the opportunity of a whistle-stop Autumn press tour to announce new products — including their lowest-priced sampler to date — which set the company's agenda for the coming months. Derek Johnson previews the new kit on the block.
Emu ESi32
Emu took up the opportunity of a whistle-stop Autumn press tour to announce new products — including their lowest-priced sampler to date — which set the company's agenda for the coming months. Derek Johnson previews the new kit on the block.
Emu EIIIX Roundup
Mike Barnes rounds up a new wave of software and hardware support for the Emu EIIIX, which once again makes Emu samplers a serious alternative at the higher end of the sampler marketplace.
Emu Ultra Proteus
Imagine a synth which is a cross between the best of Emu's Proteus and Proformance modules, and also includes the Z-plane filters of the Morpheus. No further need to imagine; it's here, in the form of the new UltraProteus. Julian Colbeck checks out this impressive multitimbral module.
Emu Proteus FX
The Proteus series of sound modules have gained a reputation for being all things to all musicians — but they've never had on-board effects. The newest addition to the family takes care of that. Nigel Humberstone checks it out.
The Programming People
Greater reliance on hi-tech instruments in the studio means there's more demand for people able to programme them. Paul Gilby spoke first to Karin Clayton about her recently formed agency that supplies programmers for studio sessions, and then to Fairlight programmer Simon Lloyd about his work.
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