Q. Why do some D-A converters offer different filter frequencies?
Why would you want to play around with the filtering characteristics of a D-A converter?
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Why would you want to play around with the filtering characteristics of a D-A converter?
Users of RME's ADI-2 series converters and headphone amplifiers can now control their device’s settings from a computer or iPad.
A total of four new converters are set to replace the original M-32 Pro Series, offering 32 analogue line-level inputs or outputs with MADI and either Dante or AVB network connectivity.
This latest version of RME's award-winning ADI-2 Series A-D/ D-A converter boasts up to 768kHz operation, and is equipped with powerful dual headphone amplifiers capable of driving balanced headphones.
Though aimed squarely at the serious hi-fi market, this class-leading converter has plenty to offer in the studio.
This modest-looking box is among the best-performing two-way converters available, and boasts a huge array of thoughtful features.
Two new half-rack boxes offer considerable operational flexibility and pristine sound in both the analogue and digital domains.
Until now, MADI interfacing has been restricted to high-end digital desks, but RME's affordable hardware brings it to the project studio market. If you need a lot of inputs or outputs within an ASIO environment, their soundcard and 64-channel MADI-to-ADAT converter could be the perfect choice.
German manufacturer RME maintain their high reputation for quality A-D/D-A interfacing with this eight-channel device, which may be run at 24-bit, 96kHz operation if desired.
The ADI96 Pro is a 96kHz-capable analogue-to-digital converter featuring both mic and line inputs, as well as a whole host of onboard DSP functions. We check it out...