Exporting Audio; Incorporating External MIDI Instruments
This month's crop of Cubase tips covers the multitude of options available when exporting audio, plus ways of incorporating external MIDI instruments and effects into your mix.
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This month's crop of Cubase tips covers the multitude of options available when exporting audio, plus ways of incorporating external MIDI instruments and effects into your mix.
This month's Cubase Technique introduces more features of the Interactive Phrase Synth, offers some handy hints on merging MIDI Parts, and provides some words of bitter experience on creating your own instruments in Steinberg's LM4 drum machine.
The Interactive Phrase Synthesizer is one of those parts of Cubase that most of us know exist, but which few have actually used. We take a look at what it can do, as well as offering some handy tips on setting up loops and introducing the idea of controlling your computer remotely...
The facilities that Cubase offers for manipulating note legnths may not be amongst its most exciting features, but as this month's Cubase Notes demonstrates, they can prove to be invaluable.
The Studio Module allows PC and Atari users to select configurations and patch names for their synths within Cubase. Paul Nagle guides you through the basics of creating a Studio Module setup.
Continuing his in-depth explaination of the Logical Edit functions of Cubase in Easy Mode, Paul Sellars looks this month at the role of the Processing stage settings, in conjunction with the Filter and Function operation, before moving on to the greater complexities of Expert mode...
This month's Cubase tips column focuses on one of the sequencer's most powerful but under-used features, the Logical Edit function. Paul Sellars begins a two-part explanation of its operation.
The music production software we now use has become so sophisticated that valuable features and techniques can often go unused simply through unfamiliarity. With this in mind, SOS has added new regular monthly columns dedicated to making the most of the leading programs. In this inaugural Cubase Notes, Martin Walker explains the use of the Scale Correction feature.
In the first part of a new series, Paul White looks at the practicalities of stereo editing. So, if you plan on compiling your stereo mixes into an album master, you'd better read on.
The facility to construct sophiticated arrangements of virtual faders, knobs and buttons, and use them to control studio equipment via MIDI, is one of Cubase's most powerful features — but also one of its most under-used. Paul Sellars explains how to make Mixermaps work for you.
Unexpected crashes happen to all of us — even SOS PC gurus! Martin Walker tells a tale of troubleshooting, and falls for Steinberg's new Freefilter.
Niels Larsen, Steinberg's Sales and Marketing manager, lets you in on some crafty ways of using Cubase.
Simon Millward kicks off a new series designed to give beginners a solid grounding in the use of Steinberg's flagship software package.