Roland TR909
Derek Johnson and Debbie Poyser examine the rise and rise of Roland's most sought-after beatbox, the TR909.
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Derek Johnson and Debbie Poyser examine the rise and rise of Roland's most sought-after beatbox, the TR909.
Paul White bolts Roland's new range of synth expander modules into his rack, seats himself in the comfy chair, then switches it on.
Vocoders aren't just about tiny robot voices from awful '70s records — some could generate lush choir sounds and opulent strings too.
Almost overlooked in the rush of people desperate to get their hands on a Roland TB303, the MC202 is just beginning to find favour with the all-analogue dance crowd. Tom Carpenter explains why he's never forgotten the diminutive MicroComposer.
Paul White packs away the keyboard and plugs Roland's new guitar-MIDI interface into his sequencer.
The JS30 forsakes the familiar rackmount sampler format for desktop presentation, and aims for simplicity and immediacy of operation. Derek Johnson checks it out.
Roland's latest attempt to part you from your savings boasts no less than 1700 patches, a well-specified sequencer, comprehensive effects section and expandability via Roland's popular wave expansion boards. Julian Colebeck takes it for a spin.
Paul White gets truly virtual with Roland's new physical modelling guitar product — and no, it's not a guitar synth!
At a time when a modular synth could cost as much as an average house, Roland's System 100M was an affordable dream. Chris Carter gets patched in...
Paul Ward looks back through time to 1980, and considers the hidden strengths of one of Roland's more overlooked monosynths: the SH09.
Paul White brings back from NAMM exclusive news from Roland's new secret weapon in the physical modelling wars.
The would-be samplist now has a wide range of samplers to choose from in the medium to high price ranges, but the sub-£800 zone has been looking decidedly bare — until now. Derek Johnson checks out the sampler that plugs the gap...
Roland's new MCR8 hardware controller seeks to take the strain out of parameter access synth or software editing, by offering you real-time manipulation of any MIDI values from its front panel sliders and knobs. Paul Ward checks it out.