Minimal Audio Current
Minimal Audio’s Current is nothing if not ambitious, and not just as an instrument...
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Minimal Audio’s Current is nothing if not ambitious, and not just as an instrument...
Westwood re‑imagine some classic instruments to take familiar sounds to new places.
Cherry Audio have resurrected the venerable ARP Pro Soloist in software.
The SOS team pick their highlights from the past year of hardware and software launches.
Arturia have another classic on their long list of software synths: a special little squelchy box.
Cherry Audio delve into the distant past to bring us two new virtual instruments.
GForce’s software Mellotron just keeps getting better.
Sampleson’s latest software instrument combines four synth layers with a trio of effects modules and some powerful macro controls.
UJAM’s Usynth range is about getting good results quickly, and GLAM is no exception.
Sound Particles have placed 3D audio at the heart of their new soft synth.
Baby Audio’s first soft synth is inspired by the baby of the Yamaha CS range, the small but immediate CS‑01.
Objekt allows users to delve into the inner workings of physical modeling synthesis, transforming the sound properties of acoustic instruments into user-controlled parameters.
Reason Studios announce their new Objekt physical modelling synth.
Softube's latest virtual instrument faithfully recreates the Sequential Prophet-5, adding some optional new features and also making five of its sections available for their Modular plug-in.
There’s a lot to like about MiMU’s unusually gelatinous take on granular synthesis.
Sound Particles launch their SkyDust 3D synth compatible with all kinds of surround and immersive sound technologies.
The MiniFreak V is every bit as good as its hardware counterpart.
Arturia’s colourful soft synth goes from strength to strength.
Klevgrand introduce a new take on wavetable synthesis.
Can Dreamtonics really deliver a session singer in software?