Synthesizers

Have Roland finally come up with a more affordable MIDI guitar for the masses? Paul White obviously thinks so.

The legendary Kurzweil piano sound is now available in a smaller box and with a lower price tag than ever before - though in the UK it's still significantly more expensive than competing piano modules from other manufacturers. Is it worth the price premium? Derek Johnson finds out.

A new shape? A large LCD? Martin Russ finds out what Yamaha are up to with their latest expander, which aims to give GM compatibility ans a whole lot more...

GEM have upgraded, expanded and enhanced their S2 keyboard synth and crammed it into a 3U module. Devoted S2 owner Mike Simmons discovers what he might be missing out on...

Julian Colbeck sizes up the new offering from the prolific Korg camp, the latest to use the company's long-running A12 synthesis system. Is it just the same old stuff in the new box, or does the X3R have enough Unique Selling Points to justify its existence?

Derek Johnson waxes lyrical about a synth he wouldn't part with but is the cheapest he owns — Roland's last monosynth, the 1982-vintage SH101.

In an age of ever‑growing polyphony, Studio Electronics, best known for their vintage synth rebuilds, have returned to first principles — to create the first analogue monosynth for almost a decade. So how does this MIDI‑equipped modern classic measure up to its vintage forbears?

In an age of ever-growing polyphony, Studio Electronics, best known for their vintage synth rebuilds, have returned to first principles — to create the first analogue monosynth for almost a decade. Minimoog owner Nick Magnus finds out how this MIDI-equipped modern classic measures up to its vintage forbears.

Synthesist Ian Boddy steps back in time to report on the classic British sound machine, regularly found haunting the electronic music departments of many a university, and a recent addition to the author's own sonic armoury.