Reason's New High-Resolution GUI
We check out Reason’s high‑res new look.
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We check out Reason’s high‑res new look.
We show you how to get great results from self‑recording singers.
In Frequency 2, Cubase 11 Pro has a powerful dynamic EQ.
We guide you through DP’s pitch‑shifting and time‑stretching options.
Go beyond the pan pot with Logic’s Direction Mixer.
The newest version of Pro Tools offers much for both native and HDX users.
Get creative with Studio One’s FX Chains.
Check out these audio examples which accompany the September 2021 Cubase workshop on Dynamic EQ using Frequency 2.
In this episode, Eddie Bazil offers tips for creating a signature sound using sound design techniques and offers a range of suggestions on how drums can be processed.
Paul White explains the basic concepts behind FX chain order and gives examples of how these guidelines can be broken in order to achieve new and unique audio outcomes.
Japan keyboard player Richard Barbieri tells the story of their most haunting hit.
SpectraLayers One allows you to tweak vocals that are ‘baked into’ a stereo mix!
Imogen Heap and Chagall are among the artists pioneering new ways of interacting with synths and effects, courtesy of the Glover software.
English producer and mixer Chris Sheldon, when asked to pick a favourite sound that he’s worked on, nominates the drum sound he got with rock band Oceansize.
The experimental production behind St Vincent’s album Daddy’s Home made for an unusual and challenging mix.
Live 11’s new Take Lanes make creating a composite from alternative takes (comping) much easier for both MIDI and audio tracks.
HOFA‑College’s tutors have analysed more than 21,000 student mixes. We draw on this practical experience to identify the five most common mistakes made by beginners.
We explore some ways in which creative mixing can add life to a sample‑based production.
We explore some of the less common uses for Markers and Memory Locations.
In Studio One, Layers are all about the wonderful world of managing multiple takes.