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Mic Polar Patterns - Part 2 | Podcast

Cardioid, Supercardioid, Figure of 8 and Omnidirectional compared By David Mellor
Published March 2024
David Mellor - Audio Masterclass Course DirectorDavid Mellor - Audio Masterclass Course Director

A valuable test for recording engineers, David Mellor gives examples of different mic types to emphasise the importance of knowing your mic collection in detail so that you're using the correct one for the recording task at hand. Cardioid, Supercardioid, Figure of 8 and Omnidirectional are compared.

Show Notes

Chapters

00:00 - Introduction
00:23 - Testing The Schoeps CMC 6
01:44 - Cardioid Examples
05:39 - Testing With Percussion
06:33 - Supercardioid Examples
08:40 - Figure Of 8 Examples
11:22 - Omnidirectional Examples
14:05 - Testing With Percussion
14:58 - Testing Each Mic Type at 0 Degrees
17:00 - Testing Each Mic Type at 45 Degrees
18:19 - Testing Each Mic Type at 90 Degrees
19:42 - Testing Each Mic Type at 180 Degrees
21:15 - Summary

Abbey Road Studio Two

Microphone under test at Abbey Road Studio Two.Microphone under test at Abbey Road Studio Two.

Go to Mic Polar Patterns - Part 1

Presenter: David Mellor - Biog

David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording.

He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. David has also had over 600 works published in the field of production music, including the Chappell and Carlin music libraries (now combined into Universal Publishing Production Music). Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show.

David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, and also returning to lecture at Surrey University. He also worked with John Cage on the International Dance Course at the University of Surrey. David now specialises in online audio education and has been Course Director of Audio Masterclass since 2001.

www.audiomasterclass.com

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