SOUND ON SOUND
With AI‑powered stem separation on board, JBL’s new portable speaker gives performers the freedom to replace vocals and instruments in any backing track.
We explore the key features and benefits of the exciting new SOS For Artists ecosystem for music creation and distribution.
Professional producers Chevy One and Gareth Young talk to Julian Rodgers about the advantages of a hybrid hardware and digital studio setup.
To commemorate the centenary of electronic music pioneer Daphne Oram, Caro C explores Oram’s lasting influence in a conversation with Sarah Angliss and Ian Stonehouse.
Kevin Paul talks with Felipe Gutiérrez about his early career working at Soho Studios, Konk Studios and Mute Records. Their conversation explores the skills required to become a successful sound engineer.
Midifex’s Lujin controller could be just what you need for adding expression to orchestral samples.
Some people say to adjust the gain until the sound sits at ‑6dBFS, and others say ‑18dBFS. And then others say it doesn’t really matter at all any more, as long as you’re not clipping at the audio interface. Is there a right answer?
