SOUND ON SOUND
Concert D-274 captures a Steinway D274 in the renowned acoustic of Stage a at VSL’s Synchron Stage Vienna facility, and is now available in an all-new Essentials variant alongside its Standard and Full counterparts.
The latest Great Eastern FX Co. pedal sees the company take a new approach to a popular fuzz design, and also marks the beginning of a new series.
Heritage Audio's new passive switcher can be used to quickly toggle between 10 stereo inputs, or route one input to one of 10 different destinations.
The latest expansion pack for Toontrack’s ever-popular virtual drum platforms has arrived, delivering a set of four seven-tom kits that cover a range of classic and modern fusion styles.
Promising to take spectral de-essing to the next level, the latest version of M-De-Esser boasts enhanced audio quality and precision along with some new intelligent features.
The latest version of Arturia's compact drum machine sports a striking new off-white finish.
The latest addition to the Xvive line-up is a compact and convenient system that combines a USB audio interface with a personal monitoring mixer system for up to eight users.
With their new monitor controller, Gainlab Audio have taken the clever step of building in a trio of power outputs that can be manually or automatically sequenced from its desktop remote.
The latest addition to the Melbourne Instruments line-up isn’t another synth, but rather a MIDI controller that allows their innovative motorised pot system to take control of third-party hardware and software.
Designed for mixing, mastering, system calibration and loudness metering, MiRA offers multi-channel immersive audio support among a suite of cutting-edge features.
K&M's latest announcement sees them expand the Compact Stage series, a catalogue of space-saving speaker and lighting stands that cater to everything from gigging to boardroom presentations.
PSP Wobbler faithfully recreates the Frequency Translator, a handmade experimental device built by Keith Adkins which created the unique modulation effect heard on ‘Time’ from Pink Floyd’s ‘The Dark Side of the Moon’.
