Steinberg update Cubasis 2 with real-time time-stretching and a “carefully redesigned user interface”, which amounts to a flatter, cleaner design that’s a little crisper and more pleasing to the eye than previous versions.
Addictive Pro adds more complex oscillator configurations, a better effects implementation and a hot-rodded arpeggiator, but has surprisingly dropped the very useful four-track looper of the original Addictive Synth.
A numerical increase in a new iPhone’s name is usually representative of a significant change in the device’s physical design. The iPhone 7, however, breaks with this tradition and looks remarkably like the 6 and 6s models of the past two years. So what has changed?
The world’s first wearable metronome for musicians offers an armoury of tempo-related features to help improve your timing and really get your groove on.
EarMaster is a well-established name in the realm of ear training, having been around for the past 20 years, and the company have now launched a version of their eponymous software for the iPad.
Moodscape’s Autoplay button is a wonderful introduction to its charms. With a single touch, it generates a musical artwork that’s different every time...
This four-voice polyphonic Model 15 app, which is both an educational tool as well as a musical instrument, mimics the original (primarily monophonic) Model 15, and offers much more besides.
This updated inexpensive ‘groove sketchpad’ takes the idea a few steps further, letting you create scenes: an arrangement of patterns in each of the four groups.
GarageBand 2.1 now supports the iPad Pro, but also has new features to benefit all users. When you start a new Song, you now have the option to use Tracks (as before) or the new Live Loops.
Alexandernaut’s Fugue Machine arose from its creator’s interest in the music of Baroque composer JS Bach. It is a multi-phasic sequencer, offering up to four playheads capable of independent motion across the same musical landscape.