Media

Business End enables you to have your demo reviewed by a panel of producers, songwriters, musicians and managers from the Music Producer's Guild.

The Doc proffers diagnosis and suitable cures for another batch of reader-submitted meisterwerks.

One of the most famous mastering engineers in the world has written the definitive work on mastering, and in the process has created an indispensable resource for anyone working with audio.

Interested in Granular Synthesis? This book explains all...

Business End enables you to have your demo reviewed by a panel of producers, songwriters, musicians and managers drawn from the MPG (Music Producer's Guild).

Are you paralysed with indecision as to what gear to buy? What if you could try out 49 mics, 33 preamps and 29 A-D converters, all within the comfort of your own home? Well, we can all dream, but here's the next best thing for those unrelated to King Croesus...

Business End enables you to have your demo reviewed by a panel of producers, songwriters, musicians and managers. This month's industry panel is drawn from the MPG (Music Producer's Guild).

More of your submissions receive a healthcheck from 'Doctor' John Harris.

More readers' recordings given the once-over by resident audio doctor, John Harris.

Another selection of reader demos comes under scrutiny from a panel of Music Producers Guild members.

Another selection of reader demos comes under scrutiny from a panel of Music Producers Guild members.

More readers' recordings given the once-over by resident audio doctor, John Harris.

Under scrutiny this month by the Music Producers Guild panellists are: Jazz Dentist; Pig; Alex Moody; Qhixldekx

This month: Blue Dog Yawning = Top Demo • Guy Katsav • Quickies: Richard Amos; Andy Ruff; Martin Noakes; Dirtyboy

This month: Ariel Lerner = Top Demo • Delta 400.

Those SOS readers that followed up some of the links in the April 2001 Net Notes column may be interested in Jeff...

Mike Simmons concludes his serious on designing and cosntructing a web site by answering some of the mant reader queries received in response to earlier instalments.

Mike Simmons ties up some loose ends with some words on browser compatibility, a look at other Internet music other than Real Audio, and a brief guide to using frames on your site.

Mike Simmons continues his introduction to web design for musicians with a more detailed look at the most important HTML tags, and explains how, when and in what form to use graphics on your site.

Computers have always been important in the hi-tech studio for sequencing and, latterly, recording audio. They can, however, be equally useful for publicising and distributing your music, if you're connected to the Internet. Mike Simmons explains the basics of setting up a web site from a musician's perspective.

The perfect all‑round audio reference book is still to be written and, I suspect, never will be. However, this new tome...