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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    JZ Black Hole

    Large-diaphragm Condenser Microphone

    It's easy to see where the Black Hole gets its name, but this novel microphone isn't all about appearances...

    Reviews Dec 2008
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    M-Audio Pulsar II

    Small-diaphragm Condenser Microphone

    A decent mic collection should include small-diaphragm condensers for their transparent, uncoloured sound. Does the updated Pulsar deserve a place in yours?

    Reviews Nov 2008
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    Harper-Diabate HDV1

    Multi-pattern Valve Microphone

    This substantial tube mic comes with a generous array of accessories at a good price — but does it sound as impressive as it looks?

    Reviews Nov 2008
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    Sennheiser MKH 8040

    Compact Modular RF Condenser Microphone

    Sennheiser have taken advantage of new technology to produce a smaller, lower-cost modular version of their modern classic MKH range of microphones.

    Reviews Oct 2008
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    Crowley & Tripp El Diablo

    Ribbon Microphone

    A ribbon mic that can be used on a kick drum? Prepare to believe, as the new 'Roswellite' ribbon shows off its hardiness.

    Reviews Sep 2008
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    Equation Audio Alpha Series

    Drum Microphone Set

    If you've not yet built up much of a microphone collection, a dedicated drum-mic kit can be a sensible investment — and the price of this one puts it within reach of even entry-level users.

    Reviews Aug 2008
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    Violet Black Knight

    Studio Condenser Microphone

    Making your mic stand out from the crowd these days is difficult — so Latvian company Violet have used their head...

    Reviews Aug 2008
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    Newmann Retro

    Multi-pattern Valve Microphone

    Newmann (no, that's not a typo...) are a small British company aiming to make affordable high-quality mics with a vintage flavour. It's a laudable aim, but have they achieved it?

    Reviews Jul 2008
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    Microtech Gefell UM930

    Multi-pattern Capacitor Microphone

    At nearly twice the price of a Neumann U87, you've every right to expect this to be a very, very nice microphone...

    Reviews Jun 2008
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    Charter Oak E700

    Multi-pattern FET Microphone

    Building in China, then disassembling in the US and replacing parts seems a long-winded way to go about building a mic... but there might just be some sense in the approach.

    Reviews May 2008
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    Superlux Sonata ECOH6A

    Back-electret Condenser Microphone

    Can you really use a £25 mic for serious recording?

    Reviews May 2008
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    Telefunken USA AK47

    Multi-pattern Condenser Microphone

    Will this young gun fire the imagination like the Telefunkens of old?

    Reviews Apr 2008
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    SE Electronics Gemini II & Z5600a II

    Valve Microphones

    SE have updated their Gemini and multi-pattern Z5600a mics with extra facilities and better technical specs. Are they worthy contenders for space in your mic locker?

    Reviews Mar 2008
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    ADK A6 & S7

    Condenser Microphones

    These versatile large-diaphragm mics offer great performance on a budget.

    Reviews Feb 2008
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    Earthworks TC20

    Omnidirectional Condenser Microphone

    This high-definition omni mic has been designed specifically to work in high-SPL environments, but it is surprisingly good on quieter sound sources too.

    Reviews Jan 2008
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