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Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Miktek CV4 | Media

    Multi-pattern Valve Microphone

    Audio files to accompany the article.

    Reviews May 2011
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    MXL R144

    Ribbon Microphone

    If you're looking for classic ribbon-mic warmth and smoothness on the tightest of budgets, this mic may be for you...

    Reviews May 2011
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    MXL R144 | Media

    Ribbon Microphone

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    Reviews May 2011
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    Blue Spark

    Capacitor Microphone

    Is there more than an eye-catching new livery to spark interest in Blue's latest mic?

    Reviews Apr 2011
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    Rode Videomic Pro

    Shotgun Microphone

    Building on the success of its predecessor, the Videomic Pro is a convenient, lightweight shotgun mic.

    Reviews Apr 2011
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    SE Gemini 5 & G3500

    Large-diaphragm Condenser Mics

    SE's new siblings employ the same capsule as previous Gemini designs - but they're very different mics...

    Reviews Mar 2011
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    Royer Labs R101

    Ribbon Microphone

    High-quality ribbon microphones don't come cheap, but the new R101 brings Royer quality within reach of the project-studio recordist.

    Reviews Feb 2011
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    SE Electronics Voodoo VR1 & VR2

    Ribbon Microphones

    SE have aimed to combine the smoothness of ribbon mics with the high-end extension of a condenser. What witchcraft is this?

    Reviews Feb 2011
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    SE Electronics Voodoo VR1 & VR2 | Media

    Ribbon Microphones

    These audio files accompany the SE Electronics Voodoo VR1 & VR2 review that featured in SOS February 2011.

    Reviews Feb 2011
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    CAD Equitek E100S

    Supercardioid Capacitor Microphone

    CAD's E100 impressed us, but it's been revamped to create a mic with one of the lowest self-noise figures in its class — or any other, for that matter!

    Reviews Jan 2011
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    CAD Equitek E100S | Media

    Supercardioid Capacitor Microphone

    Audio files to accompany the article.

    Reviews Jan 2011

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