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Mixing / Production

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    Mixing On Headphones

    What To Use & How To Do It

    It's often necessary to work on headphones in the home studio, even when mixing. So what headphones should you choose, and how do you go about getting the best results?

    Techniques Dec 2003
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    Preparing Backing Tracks For Live Use

    Sound On Stage

    If you play live regularly, sooner or later someone will suggest that you use a backing track on stage to enhance your performance. So here's how to go about creating them, based on experience learned the hard way!

    Techniques Nov 2003
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    Getting Your 'Studio Sound' Live

    Sound On Stage

    Thinking of taking your carefully-crafted studio creations to the masses? Here are some pointers to make sure your sound survives the transition to the live arena.

    Techniques Oct 2003
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    David Bowie & Tony Visconti

    Recording Reality

    For the 2002 album Heathen, David Bowie and Tony Visconti revived one of the greatest artist/producer partnerships in pop history. Following the success of that project, the duo have again worked closely together on Bowie's new album, Reality.

    Techniques Oct 2003
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    Vocal Fixes

    Modern Vocal Processing In Practice

    A new generation of vocal processors, and a new generation of engineers, confront the possibilities and ethics of digital vocal manipulation.

    Techniques Oct 2003
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    Creating A Test CD

    Audio Reference Materials For Your Studio

    SOS reviewers often mention their test or reference CDs — compilations of what they feel to be well-mixed, well-recorded audio, which they use to evaluate converters, monitors, and so on. But how do you go about making one yourself? We reveal all...

    Techniques Sep 2003
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    Recording & Remixing Roxy Music's Avalon

    Rhett Davies & Bob Clearmountain

    "When we originally mixed Avalon in stereo, I was thinking that it should be in surround,"says Bob Clearmountain. Twenty-one years on, he and producer Rhett Davies describe how they first made Roxy Music's classic album and how they finally got the chance to mix it in 5.1.

    Techniques Aug 2003
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    Will Gregory: Recording Black Cherry

    Goldfrapp

    It seems that almost everyone who's heard Goldfrapp's debut album Felt Mountain has fallen under their spell. Now the duo have returned with a second, Black Cherry, and a harder, synth-based sound.

    Techniques Jul 2003
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    Using Your Plug-in Delay Effects

    Sequencer Delay Masterclass

    Although delay can be one of the most simple studio effects, software delay plug-ins often provide a bewildering array of options. So we take a look at what all the sliders and switches do, and provide advice on how best to use them.

    Techniques Jul 2003
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    Using Your Sequencer's Reverb Processors

    Masterclass

    Reverb is vital for most types of modern music production, so it's no surprise to find that many sequencers provide a variety of reverb plug-ins. But what do all those different parameters do?

    Techniques Jun 2003
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    Studio SOS: Vocal Sounds

    Nick Redman

    The SOS team battles through snowdrifts to help Nick Redman and Mike Sinnott with two different vocal sounds.

    Techniques Jun 2003
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    Using Your DAW's Compressors & Limiters

    Software Dynamics Masterclass

    All of the main MIDI + Audio sequencers now have a bewildering array of compression and limiting plug-ins built in, but many home musicians are unclear about what all those controls and options do. And with so many varieties of each plug-in available, which one should you choose for the job in hand?

    Techniques Mar 2003
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    Composing For Video Games

    Jack Wall

    Jack Wall is a leading light in the video game soundtrack industry, where his credits include the latest chapter in the best-selling Myst series of computer games.

    Techniques Feb 2003
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