When the opportunity came to work with his childhood heroes Judas Priest, Andy Sneap didn’t just engineer and produce — he also mixed, mastered, and became the band’s touring guitarist.
Sam Boydell talks us through selecting an orchestral sound library, creating a simple string motif and incorporating more realism into the finished piece.
Alan Moulder, 2024 recipient of the Icon Of The Year Award from the Music Producers Guild, talks to Kevin Paul about his early years at Trident Studios and finding his specialist areas.
If there’s one thing that engineers and producers need above all, it’s a good mentor and role model — and they don’t come much better than MPG Icon Alan Moulder.
Dukes Of Stratosphear ‘The Mole From The Ministry’
Famed English producer and engineer John Leckie gives details about one of his most influential works, the mini‑album 25 O’Clock, a pastiche of ’60s psychedelia.
David Bottrill’s vast credit list includes Peter Gabriel, Smashing Pumpkins and Tool to Muse, Silverchair, Rush and many others. When asked to pick a favourite sound from that catalogue, he chose the drone that underpins ‘Passion’ by Peter Gabriel.
Producer and Engineer Tim Bran talks us through his early career at Island Records, being invited to tour as a session musician, recording London Grammar and setting up his own collaborative tech and studio projects.
Japanese artist and producer Taigen Kawabe is best known as the frontman and bass guitarist of boundary‑destroying psych‑rock band Bo Ningen, whose repertoire ranges from experimental soundscapes to guitar‑driven chaos and screaming.
Dynamic Range Day was started by mastering engineer Ian Shepherd, and aims to raise awareness of the negative impact that excessive dynamic processing can have on music.
American music producer, songwriter and multi‑instrumentalist Doug Showalter breaks down how he crafted the guitar sound on Harry Styles’ mega‑hit ‘As It Was’ in his Nashville studio.