SOS PODCASTS

Composer, pianist and producer Martin Kohlstedt talks about his approach to combining piano and electronic instruments, improvisation in the studio and on stage, plus the work he is doing to reduce the carbon footprint of touring.

Steve Dub shares insights into his workflow as a producer, discussing his ongoing work with The Chemical Brothers, his love of experimentation and how he adapts his methods to mixing in the box.

Composer and Sound Designer Robert Aiki Aubrey Lowe (aka Lichens) talks to Caro C about his preferred sound modules and working methodologies.

Malcolm Toft gives a fascinating insight into his career, from building his first mixing desk at age 17, being part of the team at the launch of the iconic Trident Studios, where he recorded Elton John, Queen and David Bowie, to founding Trident Audio Developments to manufacture his consoles.

William Stokes talks to Tony Rolando, the founder, lead designer and co-owner of Make Noise, a modular synth company launched in 2008.

Dave McCracken talks to Kevin Paul about his impressive career as a songwriter and Producer, from his early years at Sarm Studios with Trevor Horn, where he worked with Ian Brown and Depeche Mode.

Engineer and Producer Louis Austin talks about his early days in the industry, where he developed his recording skills working with Queen, Fleetwood Mac, Sweet and Judas Priest.

In celebration of the 40th anniversary of the groundbreaking E-mu Systems Emulator II sampler, Dave Rossum, Kevin Monahan and Paul Wiffen share inside stories of the development and manufacture of the instrument.

Grammy Award-winning producer Matt Lawrence gives us a fun insight into his early years in the industry as an assistant producer, and offers a valuable selection of tips and ideas for launching a successful studio career today.

Electronic music pioneer and composer Suzanne Ciani discusses her career highlights in conversation with William Stokes.

Krust, also known as K or DJ Krust, chats about his early involvement in the Bristol music scene in the late '80s to early '90s, the development of the Drum & Bass sound, and setting up the Full Cycle and Dope Dragon labels with Roni Size.

Nick Rothwell learns about the Augmented Instruments Laboratory, a music technology research team lead by Professor Andrew McPherson, whose ongoing projects include the Magnetic Resonator Piano and the Bela open-source platform.

Mix Engineer Caesar Edmunds talks to Kevin Paul about his route into the industry via formal education at LIPA, before gaining work experience with Alan Moulder at Battery Studios.

Audio Design Engineer Andy Bereza founded Allen & Heath Mixers before working for TEAC/Tascam, where he conceived the ground-breaking TEAC Portastudio.

Music Producer and DJ Danny Briottet gives a fascinating insight into his formative years, including the global musical influences that shaped his career.

In this first part of an occasional series exploring modular synthesis and live performance, Will Stokes talks to experimental electronic musician Scanner about the choice of his favourite modules he'll showcase in his closing performance.

Synth designer Tom Oberheim tells Sam Inglis about his early years as an engineer and his accidental route into creating electronic musical instruments.

Daniel Miller, founder and chairman of Mute Records, talks to Kevin Paul about his entry into the music industry, the origins of the label, and of his enduring love of modular synthesis.

Jason Singh is a sound artist, producer and performer. His creative output is an exploration of the natural world, voice and a wide range of music technologies, including the MIDI Sprout interface.

Alan Moulder, 2024 recipient of the Icon Of The Year Award from the Music Producers Guild, talks to Kevin Paul about his early years at Trident Studios and finding his specialist areas.

Electronic Music artist Jlin talks about her processes for creating a new work, being ready to tour straight from the studio, and staying grounded and focused when your work gains recognition.