Recording

Audio files to accompany the article.

Audio files to accompany the article.

Audio files to accompany the article.

We pull a problematic live recording back from the brink.

The best engineers thrive on pressure. Which is handy when they’re recording the farewell tour of one of the world’s biggest rock bands, and timecode trouble is brewing...

Audio files to accompany the article.

Our engineer describes a novel and affordable way to mic an acoustic guitar duo in a small space.

These files accompany the Mix Rescue article in the December 2015 issue of SOS.

Fred’s House: Our engineer overcomes lashings of speaker bleed as he massages a vocal–heavy mix into shape.

Audio files to accompany the article.

Only big studios have the space, skills and equipment to track a full big band, right? Not necessarily...

Engineer Phil Hampson didn’t even like punk rock — yet, with an inexperienced Martin Hannett, he recorded one of the defining records of the era.

Audio files to accompany the article.

To celebrate the magazine’s 30th birthday, the SOS team take a trip back in time, finding out what it was really like to work in a mid-’80s home studio.

One of the most misunderstood subjects in pro audio is control–room nearfield monitoring: the dos and don’ts, the problems and suggested remedies.

Greg Price has spent nearly 20 years at front of house for some of the biggest names in rock, and now his company believe they’ve perfected the art of live recordings.

This page contains a directory of all media pages that hold the associated media for November 2015.

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In 1987, swimming against the tide of MIDI–powered pop records, Cowboy Junkies went into a church to record an album into a single microphone in a single day.

Audio files to accompany the article.

Audio files to accompany the article.

Does today’s sample-based drum software mean we don’t need real drummers any more? We find out what a human session drummer offers that a virtual drummer can’t.