Stereo Editing: Part 3
In the final part of his series on digital editing, Paul White examines some methods of removing clicks from a recording, before looking at how to burn a production master CD.
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In the final part of his series on digital editing, Paul White examines some methods of removing clicks from a recording, before looking at how to burn a production master CD.
Paul White concludes his short series on mixer automation with a step-by-step guide to setting up and running an automated mix.
After last month's overview of the equipment and processes involved in compiling an album master from mixes, Paul White gets down to the business of sorting out wanted audio from unwanted...
The flexibility of Yamaha's popular O-series digital mixers means that there are as many ways to use them as there are owners. Paul White passes on some tips from both Yamaha insiders and professional users.
Paul White comes up with a few tips for using the processing power of your computer audio sequencer to turn one or two voices into a complete backing ensemble.
It was the best-selling single of last year, and signalled a radical change of musical direction for Cher — complete with bizarre vocal processing. Yet, surprisingly, it was produced in a small studio in West London. Sue Sillitoe relates the astonishing tale of 'Believe'.
Paul White looks at achieving a good balance in your mixes.