SOUND ON SOUND
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Behind every rap megastar, theres a very talented engineer. Young Guru was at the desk throughout the recording and mixing of Jay-Zs latest smash-hit album, The Blueprint 3.
Producer and songwriter Fraser T Smith has made the unlikely journey from prog rock to grime. With Tinchy Stryder, his broad experience has paid off in the shape of three massive hit singles.
Recorded and mixed in a modest home studio, Day n Nite has made stars of singer/rapper Kid Cudi and producer Dot Da Genius.
John Fields and Paul David Hager have a very modern working relationship — and with the Jonas Brothers, theyve delivered a string of old-fashioned hits.
Take one Bollywood soundtrack, add a Pussycat Doll and a heap of new instruments, and you have a recipe for a big mix. Peter Mokran was the engineer who cooked up an international hit with Jai Ho! (You Are My Destiny).
For their fifth album, The END, Black Eyed Peas main man will.i.am took the band — and their long-serving mixer Dylan Dresdow — in a new direction, with stunning success.
The sessions for U2s No Line On The Horizon took the idea of spontanaeity in the studio to new levels. Engineer Declan Gaffney was the man charged with creating order from apparent chaos...
Looking for a follow-up to her smash-hit debut album, Lily Allen ditched her many other collaborators to work mostly with LA-based producer and musician Greg Kurstin on Its Not Me, Its You.
When Seal decided to pay tribute to classic soul records on his album Soul, he turned to legendary producer David Foster — and his right-hand man, Jochem van der Saag, who was responsible for mixing and much more.
Transatlantic number one Just Dance was not only a breakthrough for Lady Gaga, but also for her producer RedOne and mix engineer Robert Orton.
Bob Clearmountain has been the worlds premier mix engineer for three decades — but Martin Scorsese still managed to challenge him with his ideas about how the Rolling Stones in concert should be presented.
How do you capture the essence of pure rock & roll? For Mike Fraser and AC/DC, the answer was simple: get the sound right at source, track to analogue tape, and don't mess about with the results!