SOUND ON SOUND
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Jake Knight founded RYK Modular back in 2009, hitting the scene with the excellent M185 sequencer.
In this Case Study, we look at two very different users who have adapted to the immersive audio ecosystem within the Antelope Galaxy interface line‑up.
Some software amp sims can struggle with clean guitar tones — is Cubase’s stock VST Amp Rack up to the challenge?
These four audio files demonstrate various elements of the Cubase VST Amp Rack that are described in the SOS February 2025 Cubase workshop.
William Stokes talks to Tony Rolando, the founder, lead designer and co-owner of Make Noise, a modular synth company launched in 2008.
How much tech can you cram into a compact set of desktop speakers? A lot, if you’re ADAM Audio.
With some great sounding amps and effects, integrated audio interfacing and an external effects loop, there’s plenty to admire in this compact Boss floor unit.
Want to hear ‘more me’? Not a problem...
Did you think all DI boxes were created equal? If so, you may need to think again...
With polyphonic aftertouch, MPE and MIDI 2.0, Korg’s Keystage has a lot to offer.
Want to take your valve amp sounds on stage without breaking your back? The Nano Cortex makes capturing and delivering those tones quick and easy.
Novation’s updated Launchkey range introduces improved creative features and better DAW integration.
The Roland P‑6 is a pocket‑sized sampling powerhouse.
Soyuz’s latest pencil mic is as easy on the ear as it is on the eye!
Yamaha’s FGDP‑50 drum pad is designed explicitly for the digital percussionist.
If you think all 1U rackmounting audio interfaces are the same, SSL have some news for you!
Dave McCracken talks to Kevin Paul about his impressive career as a songwriter and Producer, from his early years at Sarm Studios with Trevor Horn, where he worked with Ian Brown and Depeche Mode.
Paul White delves into the fun world of modelled guitars, amps and cabs, that cannot only make your songwriting and studio sessions more creative and unique.
Cinematic Lights is a new virtual instrument for Studio One Pro 7 that combines heavily processed orchestral string samples with a range of synth and field-recording layers.
Taking pride of place on Austrian Audio’s booth at the 2025 NAMM Show was the OC-S10, a new large-diaphragm capacitor mic that the company say offers exceptional versatility and will suit any recording scenario.