Search

Both of these devices are part of ART’s new ‘multivoice’ series, which aims to provide a wide range of tonal options.

I am trying out an ART Voice Channel, which has some interesting features, one of which is a dial to vary the microphone impedance continuously from 3kΩ down to 120Ω. So I have been testing this with a bunch of dynamic and capacitor mics...

I have an inexpensive ART P16 XLR patchbay that I’d like to reintroduce and I’m wondering whether this will degrade the quality when I’m tracking, mixing and mastering — it would potentially be the weakest link in my signal chain?

A mixer, a USB 2 interface, and valve coloration all for less than the price of many preamps — is it too good to be true?

This neat little unit can serve either as a four-into-one passive stereo line mixer, or as a one-into-four stereo line splitter, just by using the appropriate input and output connectors. However, it goes rather further than that...

This all-analogue compressor-gate promises versatile utility for the budget conscious.

This combination of preamp and Auto‑Tune processor could be just the thing for adding a radio‑friendly sheen to your live performances.

ART's Tube MP/C combines a hybrid 12AX7 (ECC83) valve preamp section with the company's 'Vactrol' optical compressor, and the whole thing is all about tonal character.

Probably everyone has suffered from ground-loop hum problems at one time or another — transformer isolators like the ART DTI can help eliminate these problems.