SOUND ON SOUND
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In addition to a DigiCheck NG update, RME have revealed that all of their interfaces are now compatible with ARM64-based Windows 11 machines.
Thanks to a new partnership with Sonarworks, users of RME's DSP-equipped interfaces can now load SoundID Reference calibration files into TotalMix FX.
The latest version of RME's flagship MADIface interface delivers some impressive technical improvments across the board.
RME's pro-audio range will soon gain a two new converters as well as a pair of PCIe cards that offer up to 512 x 512 channels of I/O.
The latest Fireface drivers and firmware introduce a range of room correction facilities for immersive audio setups.
I want to record some vinyl into my DAW, could a turntable simply be plugged into any audio interface and the EQ applied after amplification?
Have RME made the perfect USB audio interface?
Why would you want to play around with the filtering characteristics of a D-A converter?
Users of RME's ADI-2 series converters and headphone amplifiers can now control their device’s settings from a computer or iPad.
The Fireface 802 FS provides users with a high-end 60-channel recording solution that boasts ultra-low latency operation and the stable, reliable performance that RME are renowned for.
A total of four new converters are set to replace the original M-32 Pro Series, offering 32 analogue line-level inputs or outputs with MADI and either Dante or AVB network connectivity.
Originally developed for a German broadcaster, the Digiface AES is now available to everyone.
RME's latest Fireface offers a total of 94 inputs and 94 outputs, improved A-D and D-A converters, DC-coupled analogue outputs and enhanced digital clocking and jitter suppression thanks to the company's SteadyClock FS technology.
While mixing, I usually monitor with the control room level pot on my analogue console set between about four and five (out of 10)...
The latest addition to RME's Digiface line-up features 14 inputs and 16 outputs, offers full standalone operation, and provides flexible playback and monitoring facilities courtesy of TotalMix FX.
This latest version of RME's award-winning ADI-2 Series A-D/ D-A converter boasts up to 768kHz operation, and is equipped with powerful dual headphone amplifiers capable of driving balanced headphones.
RME's latest Digiface interface is equipped with a RAVENNA module developed by DirectOut Technologies, offering 128 channels of audio over a single USB connection.
The new 12Mic-D from RME adds Dante connectivity to their 12Mic audio interface.
The UCX II packs 25 years’ interface design experience into half a rack space.
RME’s PCIe audio interface card gets a major overhaul.