SOUND ON SOUND
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M-Audio have broken a price barrier with their Firewire 410, which is easily the most affordable Firewire recording interface on the market.
Yamaha's 01X is a digital mixer, hardware controller, audio and MIDI interface that promises an unprecedented level of integration with PC/Mac computer-based DAWs. But can this one silver box really do it all?
It seems as though every audio card manufacturer is keen to promote high sample-rate audio formats. Terratec's Phase 28 and Phase 26 attempt to do this in PCI and USB formats respectively.
Laptop users on a budget can't help but be tempted by the Audiotrak Maya 44 USB's promise of four-channel analogue I/O, low-latency ASIO drivers and multi-client support for under £100. Is it really as good as it sounds?
Edirol's all-in-one UR80 combines USB audio and MIDI interfaces with a fader-based control surface.
ST Audio's DSP3000 system offers an impressive feature set for its price, boasting eight-channel 24-bit/96kHz analogue I/O with mic preamps on every channel, plus digital I/O in S/PDIF and AES-EBU formats, MIDI I/O, and the ability to function as a stand-alone analogue/ADAT digital converter.
Until now, if you wanted multi-channel or high-resolution audio I/O in a hot-swappable external interface, Firewire was the only way to go. Edirol's UA1000 offers an alternative, using the Hi-Speed USB 2.0 protocol that is standard on nearly all new PCs.
RME's latest PCI soundcard is their first to support 192kHz sample rates, and offers a different balance of features compared with their existing Hammerfall cards.
The FW1884 is more than just a well-specified Firewire audio and MIDI interface: it also offers detailed control over almost every MIDI + Audio sequencer thanks to its motorised faders, rotary controls, transport buttons and more.
If you fancied the well-specified, Firewire-based I/O of Digidesign's Digi 002 but didn't need its control surface functions, you now have a cheaper alternative in the shape of the Digi 002 Rack.
MOTU's range of PCI audio interfaces is based around a single PCI card, with three different rackmounting units offering combinations of analogue and digital I/O.
The baby of Tascam's US range of interfaces dispenses with its big brothers' control faders, but does boast stereo audio I/O with phantom power supplied over USB, as well as MIDI I/O.
Is it an effects processor? Is it a Variphrase processor? Is it a virtual analogue synth module? The truth is, Roland's VariOS can be any of these. Is this the flexible future of hardware? We find out...
Creamware's SCOPE Fusion Platform is a powerful and flexible PC and Mac-based music-production system that's often overlooked by computer-based musicians. We take a detailed look at the system and investigate what you might be missing.
A unique problem-solver from Roland combines line mixing, sample rate conversion and a USB audio interface in a single rack space.
With the recent announcement of Yamaha's keenly priced 01X Music Production Studio, it looks as though mLAN, the Firewire-based protocol for multi-channel digital audio and MIDI, might be about to come of age. We take an early look at the new system.
Terratec's new professional division are looking to make a splash with their rackmounting multi-channel A-D/D-A converters, which feature SPL-designed mic amps and close integration with their EWS 88MT soundcard.
Price barriers continue to tumble in the soundcard market, as ESI Pro introduce an interface offering four analogue inputs and eight outputs, plus digital I/O, two mic preamps and 192kHz playback, for under £200.
Edirol's latest audio and MIDI interface fills another niche in the increasingly competitive market for USB devices.
PreSonus' eight-channel Firewire interface is the first to use Yamaha's much-touted mLAN protocol. How does it compare to the proprietary driver systems developed by the likes of MOTU and Metric Halo?