SOUND ON SOUND
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Great‑sounding gear with big feature sets — what’s not to like? Well, for one, user interfaces that are so obscure you forget how they work the moment you put down the manual...
It’s a reflection of how big the modular‑synth world has grown, in the last decade or so, that a book like this can be commercially viable.
Alongside the people who make them, Patrick Gleeson has probably done more than anyone else to introduce synthesizers to popular music.