SOUND ON SOUND
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I have been avidly reading Paul White's book Creative Recording 2, which I'm finding very helpful. I am at...
My son picked up a Reslo ribbon mic at the local rubbish dump. It's set up like a studio mic — it's upright and...
I have just upgraded from a Power Mac 8100, using Digidesign Session 8 hardware and an 882 studio audio interface to a new...
Caught between TDM, MAS, DirectX and VST? Tangled up in virtual inserts and aux sends? Never fear! Resident Plug-in guru Paul White is here to answer all your most common question, and to help you get the most from software audio processing.
There's a new addition to Echo's well-established family of PCI recording interfaces, and it caters for recording guitarists and those mixing in surround for DVD production. Martin Walker has a date with Mona.
Paul White tries out Emagic's compact two input, four output USB MIDI interface.
Paul White evaluates the latest Logic Audio update and discovers that as well as a host of new features, Windows users also get a brand-new audio engine.
Paul Nagle tries out the update to this inexpensive controller for MIDI devices.
Fostex have broken a price-barrier in this section of the digital multitracker market, providing 16-track recording, editing and mixing within their new, compact VF16. Derek Johnson and Debbie Poyser discover whether it's too good to be true...
Sample & Hold modules, as explained last month, convert a continuously varying signal into a stepped series of fixed pitches. And this, as we shall see, is the basis of what we know as 'digital audio'...
Millennium Music are one of several UK companies who specialise in building PC systems to musicians' individual requirements. Martin Walker test-drives their service...
Paul White tries out a two channel compressor with tube 'warming' and optional digital I/O.
Legend has it that Sir Alec Guiness's character in Star Wars was named after Oberheim's original OB1 synthesizer; and, like that character, the OB-series has now overcome death to reappear in virtual form. Gordon Reid finds the new OB12 more powerful than he could possibly have imagined - at the price, at least...
Do you want to hear how good your audio equipment can really sound? Martin Walker investigates a product that may significantly improve the sound of your studio.
PC users have had to wait almost two years for many of the improvements which graced version 4 of Steinberg's popular sequencing package on the Mac platform. Now, however, they've leapfrogged straight to version 5, a major upgrade which incorporates all of those improvements and more. Martin Walker finds out if the wait was worthwhile.
TC have come up with a new twist on the analogue synth emulation theme by providing modular oscillator, filter and envelope blocks that can be combined with VST effects. Paul White tries a few variations.
Waldorf have emulated the original PPG Wave digital synthesizer in software for use as a VST Instrument. Paul White tries out the virtual Wave.
Competition in the world of 16-track recording workstations is hotting up, and Akai's new DPS16 looks to be a prime contender, with its impressive user interface and 24-bit/96kHz capabilities. Derek Johnson and Debbie Poyser take it for a spin.
Yamaha's AW4416 recording workstation, which debued at the NAMM show earlier this year, has been the subject of more reader inquiries at the SOS office than any other product in living memory. In this exclusive preview, Hugh Robjohns gets his hands on a prototype to find out what we have to look forward to...
