SOUND ON SOUND
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Users of KAT's drumKAT or trapKAT may be interested to learn that a couple of new accessories are available, the simplest...
Can a low-cost processor really clean up noisy recordings effectively? Paul White finds out.
Have Fostex really stolen Roland's thunder with their digital multitrack? Mystic Paul White thinks Roland might have a trick up their sleeve.
Paul White gets out and about with the Tascam DAP1 and discovers the joys of collecting sounds outside the studio.
The all-digital, computer-based recording studio is no longer a distant future possibility. Thanks to digidesign's TAM buss, many of the processing capabilities of a traditional studio setup are now available as computer software plug-ins. In the first of this two-part feature, Mike Collins takes us through some of the available options.
Behind every musical milestone there's a pioneering engineer. In the first of an occasional series, Richard Buskin looks at classic recordings from a technical angle. This month, former Van Morrison engineer Elliot Scheiner talks about the 1970s sessions which produced the 'Domino' effect...
'I once believed in Jesus, now I can't believe in rock' n' roll." ex-Virgin Prune Gavin Friday may have his cross to bear, but this gadfly of the Irish rock scene isn't one to let the grass grow under his feet...
Having resolved the nebulous role of the record producer in Part 1, this month David Mellor addresses the practical matter of pre-production.
Time was when synths weren't all weedy presets and wheyfaced copies of real instruments. Regular SOS contributor Paul Nagle is living off his memories...
In his time, Ron Berry has been a synth-player and a freelance designer — but it's as an electronics hobbyist that he cut his teeth. Jonathan Miller meets the man who keeps the DIY ethic alive.
When it comes to cabling, it pays to have the right connections. Paul White makes the introductions.
You might think that EQ is simply a tone control, but as Paul White explains, it's really a powerful mind-manipulating tool inextricably linked to the survival of the species!
Most of the time, inspiration doesn't so much strike as go on strike — so what can be done to coax it back to work? Paul White proffers a few suggestions.
Brian Heywood considers what 1996 will bring the PC-based musician, and decides it will be the year of the DAM...
Paul White continues his introduction to sampling with a look at some of the extras, accessories and peripherals that you might need in order to get the most out of your new purchase.
Martin Russ considers some ways of realising sound synthesis on your Mac using system or third-party software, and concludes his look at the PCI buss.
Ofir Gal reports back from a show in London which proves, once again, that there's life in Atari computers yet — even if Atari themselves don't agree!
ADAT is dead, long live the ADAT XT. Paul White reports on the rebirth of a classic.
There's more to building a serious mic front end than putting a standard circuit in a flashy box. Fortunately, SPL's circuit design is even more impressive than their custom anodised front panels, as Paul White discovers.