Signal Processors

Just how much analogue compressor can you fit in a mini pedal? Becos spent several years answering that question...

Granular effects can be hugely powerful, but the chances of finding a preset that does exactly what you want are slim. So why not learn how to tame and tweak them?

Based on a famous Danish design, Heritage’s versatile homage includes some useful additional features.

More than just a Mid‑Sides widener, the intriguing, all‑analogue LUNA.5K offers you control over front‑to‑back depth.

The CP‑1X is a multiband compressor designed to avoid the obvious pumping and tonal change effects of conventional compressors.

Biverb is a dual reverb plug‑in that supports all the usual plug‑in formats on macOS and Windows platforms.

If you’ve never heard of the Datamix console, that wouldn’t surprise me — relatively few were made — but...

The ability to populate the TC Electronic Plethora X1 with effects of your own choosing makes it an ideal ‘wildcard’ addition to a pedalboard.

V‑Rack packs the Rhodes MK8 preamp and effects section into a plug‑in.

STL Tones bring the sound of Limp Bizkit’s unique guitarist to your DAW.

Warm Audio pay tribute to two different revisions of the classic FET compressor, and throw in some helpful modern features to boot.

The new IR‑2 is one of the most compact amp modeller pedals out there.

It might get filed under the general category of reverb, but ModeAudio’s Airspace could more accurately be described as a sound‑design tool.

Evolved from Neural DSP’s earlier Parallax, Parallax X is a multiband processor designed to enhance bass sounds...

Curves Equator is a ‘smart’ dynamic equaliser plug‑in that tracks and attenuates resonances dynamically to achieve a more balanced sound that sits comfortably in a mix.

JMC’s Cyberdrive is one of those plug‑ins that’s designed to break your audio in interesting and creative ways.

Vocoflex imposes the timbre of one or more reference voices onto another — so just how convincing are the results?

Can one bundle really meet all your mixing and mastering plug‑in needs?

Introduced in Live 12, Roar is much more than just a saturation plug‑in...

This pedal‑format compressor doubles up as a serious studio tool.

Have Wes Audio achieved the perfect union of analogue processing and digital control?