SOS PODCASTS

CEDAR Audio has led the world in audio restoration and noise suppression for over three decades. We find out more about their ground-breaking technologies.

David Gould, Director of Audio Content Solutions at Dolby Labs, talks to Hugh Robjohns about immersive audio and how Dolby Atmos works.

Zoë Blade and Nina Richards talk about their individual music careers and how they came together to create the Stepper Acid Eurorack Sequencer.

Hugues Vinet, of the IRCAM electronic music institute in Paris, talks to Paul Tingen about their work in software, sound design and AI composition.

Vocoders are not just for vocals. In this episode, Eddie Bazil talks about the various vocoder plug-in options and demonstrates six creative techniques.

J. Wilgoose Esquire, founding member of Public Service Broadcasting, talks about the origins of the band and the surprise success they've enjoyed, and discusses his recording methods, choice of equipment and the technical challenges of performing live.

It's 10 years since Focusrite launched their best-selling Scarlett range of audio interfaces, now into its third generation. CEO Tim Carroll and Will Hoult, Head Of Product at Focusrite and Novation talk to Sam Inglis about what's behind the success of the Scarletts.

Paul White and Hugh Robjohns look back and chat about some of their favourite gear releases of 2021.

Rob Puricelli talks to Ian Boddy, who has been a fixture on the electronic music scene for over 40 years, as an artist, a sound designer and a label owner.

Synth Gems 1 sets out to document, both visually and in words, some of the most incredible keyboard synthesizers ever made. Hear how it came to be...

Daniel Blackmer, Director of Engineering at Earthworks Audio, explains the company's distinctive approach to microphone design.

Paul White looks back over the history of the echo effect, from tape loops through to plug-ins, and explores how modern echo effects can be used as sound design tools.

René Mørch of DPA Microphones chats to Sam Inglis about DPA's involvement in the NASA Mars 2020 mission.

Paul White and Hugh Robjohns discuss the evolution of recording from the perspective of their own experiences, starting with analogue tape and ending with computer-based digital systems.

Sam Battle, also known as Look Mum No Computer, chats to Caro C about his love of electronics, '80s music and re-using discarded technology.

In the 20 years since its introduction, AMS Neve’s 88R has proved that there is still a market for top-flight, large-format analogue consoles. In this episode, Robin Porter tells Sam Inglis how Neve built upon their design heritage to create what might be the ultimate analogue mixer.

In this episode, Eddie Bazil offers tips for creating a signature sound using sound design techniques and offers a range of suggestions on how drums can be processed.

David Bessell talks to Rob Puricelli about how he was inspired by Physical Modelling and sought to explore it further using modular synths and software. 

Paul White explains the basic concepts behind FX chain order and gives examples of how these guidelines can be broken in order to achieve new and unique audio outcomes.

Antelope Audio founder Igor Levin chats to Sam Inglis about their distinctive approach to audio interface design. We find out how Antelope’s innovative use of FPGA technology has enabled them to deliver impressive signal processing power.

In this episode, Eddie Bazil discusses using Transient Shapers in place of EQ and provides six practical examples.