DAW Software

A whole world of free, inexpensive or just plain great VST plug-ins opens up for DP 4 users who also run FXpansion's indispensable VST to AU Adapter. We check out how it works and round up some DP news and tips to boot.

I'm having trouble getting my Roland JV1080 to work well with Emagic Logic Audio. When I change MIDI channel in Logic the sound disappears, or I can't get the sounds that I want to stay put. How can I get Logic and the JV to synchronise?

We report on Steinberg using Nuendo to record a three-day music festival, and look at how a Cubase Drum Map can assist you in finding and working with all the one-shot drum and percussion sounds in your studio.

This first major revision to Steinberg's Cubase SX incorporates the newly developed audio engine from Nuendo 2, new features for media composers, and classic features from Cubase VST. Does it all add up to a substantial improvement over version 1?

Fruity Loops has built itself quite a cult following in dance music circles. The latest version comes with a new name, FL Studio, as well as some interesting new virtual instruments and proper audio recording features.

Is the sound of your kick drum letting the rest of your mix down? If so, find out how to snatch victory from the jaws of defeat with this bass-drum processing workshop.

DP 4.1 is here at last, with significant increases in stability and efficiency, as well as support for Apple's Audio Unit plug-in standard. So is Digital Performer finally ready for the big time in OS X?

Since Pro Tools 6, there's been some additions to the set of built-in plug-ins. This month we look at how to get the most out of the D-Verb reverb.

Sonar's version number has just been incremented by a Significant Digit, so it's time for some exploration of what this new release means to Sonar aficionados.

The Drum Editor has been a part of Cubase for over 10 years now, and here we investigate its latest incarnation within Cubase SX, as well as bringing you news of a major update to Steinberg's popular sequencing software.

Logic has a number of simple synths built in, and they're surprisingly useful if you know what you're doing, so here's some advice on getting the best out of each one. Plus there's a bumper crop of sequencing tips to make your sessions faster and more productive.

The news that Waves' range of quality plug-ins is now available for DP adds to the activity in an already interesting month for Digital Performer users — despite a delay in the release of 4.1.

Pro Tools 6.1 adds ReWire support for both TDM and LE users. Here's a look at what it is, how it works, and how to get the best out of it.

There's more to plug-ins than audio, as we discover when digging deep into the world of MIDI plug-ins and effects.

Filters are at the heart of many of the weirder sequencer plug-ins, so here we check out what each one has to offer, and how you can obtain weird and wonderful sounds for your mixes.

I have an oldish Mac with only 128MB of RAM, and would like to know how I can squeeze the most out of it with Propellerhead's Reason.

Your computer screen really doesn't need to be cluttered when you're working with Cubase's many windows, because Steinberg have provided handy window-management features.

This month we offer help for those getting to grips with Logic's much misunderstood Hyper Editor, and tell you how to reduce sibilance without using a de-esser plug-in.

Since its first release three years ago, Nuendo has raised a great deal of interest among those who need a professional audio production tool, and with Nuendo 2, Steinberg have developed one of most ambitious native-based audio systems yet seen. But in an industry dominated by Digidesign, will it be enough to lure potential users away from their Pro Tools rigs?

DP v4.1 is available, and it looks like MOTU can provide a viable alternative to DP3 under OS 9 at last. Plus a look at VST plug-in support in DP under OS X...

Last month we looked at using Pro Tools' Beat Detective tool for chopping up and quantising drum recordings. Now it's time to explore the other side of the coin: extracting and using the tempo and timing of a recording.